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glossary of terms used by frithjof schuon - Sophia Perennis

glossary of terms used by frithjof schuon - Sophia Perennis

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consequently that Being is not other than Possibility; possibility necessary in itself, but<br />

contingent in its increasingly relative contents; and <strong>by</strong> definition non-absolute, in the<br />

paradoxical sense <strong>of</strong> a “lesser absoluteness” (apara Brahma). [FDH, The Problem <strong>of</strong><br />

Possibility]<br />

But let us return to supreme Beyond-Being: in order to distinguish it from Being, it could<br />

be said that the first is “absolutely infinite” whereas the second is relatively so, which,<br />

while being tautological and even contradictory, is nevertheless a useful expression in a<br />

necessarily elliptical language; the gap between logic and transcendent truths permits the<br />

latter occasionally to override the former, although the converse is clearly excluded. If we<br />

set Beyond-Being aside, we are entitled to attribute Infinitude to Being; but if it is<br />

Beyond-Being that we are taking into consideration, then we shall say that the Infinite is<br />

in truth Beyond-Being, and that Being realizes this infinitude in relative mode, there<strong>by</strong><br />

opening the door to the outpouring <strong>of</strong> possibilities endlessly varied, thus inexhaustible.<br />

[FDH, The Problem <strong>of</strong> Possibility]<br />

Bhakta: A bhakta is not a man who ‘thinks’, that is a man whose individuality actively<br />

participates in supra-individual knowledge and who consequently is able ‘himself’ to<br />

apply his transcendent knowledge to cosmic and human contingencies. In other words the<br />

bhakta attains and possesses knowledge, not in an intellectual, but in an ontological<br />

manner. On the individual level the thinking <strong>of</strong> a bhakta reduces itself to a sort <strong>of</strong><br />

‘planetary system’ <strong>of</strong> his personal realization; otherwise it is the whole tradition, that<br />

from which the bhakta sprang, which ‘thinks’ for him; it is that tradition which settles all<br />

problems situated outside the ‘system’ in question. [SPHF, The Vedanta]<br />

Bhakti / Jnana: According to a rather common error found in certain circles, people<br />

think they are dealing only with bhakti wherever they meet an emotional element and<br />

with jnana where they find intellectual dissertations; in reality, the valid criteria are as<br />

follows: where there is “ontologism” and “dualism” in a fundamental sense, it is a<br />

question <strong>of</strong> bhakti, but where there is “superontologism” and “non-dualism” jnana is to<br />

be found. [LS, A View <strong>of</strong> Yoga]<br />

Bhakti-Marga: In the path <strong>of</strong> love (the Hindu bhakti-marga, the mahabbah <strong>of</strong> Sufism),<br />

speculative activity – which <strong>by</strong> definition is <strong>of</strong> the intellectual order – does not play a<br />

preponderant part, as in the case in the way <strong>of</strong> knowledge (jnana-marga, ma‘rifah); the<br />

“lover” – the bhakta – must obtain everything <strong>by</strong> means <strong>of</strong> love and <strong>by</strong> Divine Grace;<br />

doctrinal considerations, paradoxical as it may seem given the initiatory character <strong>of</strong><br />

bhakti, do not have in this path the crucial importance that they have in jnana . . . in order<br />

to love, one must limit or rather, one must direct one’s attention to one sole aspect <strong>of</strong><br />

Reality, the consideration <strong>of</strong> integral Truth being more or less incompatible with the<br />

subjectivism <strong>of</strong> an exclusivistic love. The way <strong>of</strong> love is comparable to a rhythm or a<br />

melody, not to an act <strong>of</strong> reasoning; it is a path <strong>of</strong> “beauty,” not <strong>of</strong> “wisdom,” if one may<br />

so express it at the risk <strong>of</strong> seeming to say that beauty is without wisdom and wisdom<br />

without beauty; in short, the perspective <strong>of</strong> the bhakta comprises inevitable limitations<br />

due to the subjective and emotional character <strong>of</strong> the “bhaktic” method.<br />

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