glossary of terms used by frithjof schuon - Sophia Perennis
glossary of terms used by frithjof schuon - Sophia Perennis
glossary of terms used by frithjof schuon - Sophia Perennis
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Anger (holy / passionate): Holy anger is a movement <strong>of</strong> concentration and not a going<br />
outside oneself; it is like an “incarnation” <strong>of</strong> the divine Wrath in the human microcosm,<br />
which must at that moment be free from passionate anger. The inner criterion <strong>of</strong> holy<br />
anger is precisely calmness, whereas passionate anger carries away the entire being and<br />
brings forgetfulness <strong>of</strong> God; it has no centre, that is to say it is entirely peripheral and<br />
dissipated. Holy anger exists only <strong>by</strong> virtue <strong>of</strong> a motionless centre, an implacable truth<br />
which determines it; when driving the money-changers from the Temple, Christ was<br />
impassible. [SW, Nature and Arguments <strong>of</strong> Faith]<br />
Antinomic Theology: “Antinomic” theology which consists in confronting two<br />
contradictory affirmations concerning God in view <strong>of</strong> a superior, possibly ineffable, truth,<br />
but without intending to negate either <strong>of</strong> the two affirmations; for the purpose is to<br />
confront, not a truth and an error, since that would not lead to a new conclusion, but two<br />
truths, each <strong>of</strong> which is valid in itself but insufficient in respect to their antinomy. [IFA,<br />
Observations on Dialectical Antinomism]<br />
Archangel Gabriel: The Archangel Gabriel is a personification <strong>of</strong> a function <strong>of</strong> the<br />
Spirit, the celestial ray which reaches the Prophets on earth. [UI, The Prophet]<br />
Archetype: The archetypes represent uniquely perfections and totalities, and not<br />
privative and hence fragmentary manifestations, and that in consequence there are earthly<br />
phenomena which are not to be found as such in the Platonic ideas precisely because they<br />
are either privative or existentially fragmentary <strong>by</strong> virtue <strong>of</strong> privation. [LT, Rationalism,<br />
Real and Apparent]<br />
Argument: The Greek word kategoria, “argument,” means in the last analysis: an<br />
ultimate form <strong>of</strong> thought, that is to say a key-notion capable <strong>of</strong> classifying other notions,<br />
or even all the notions having a bearing on existence. [THC, Universal Categories]<br />
Aristocratic / Plebeian Nature: The man <strong>of</strong> “aristocratic” nature – we are not speaking<br />
<strong>of</strong> social classes – is he who masters himself and who loves to master himself; the<br />
“plebeian” <strong>by</strong> nature – with the same reservation – is on the contrary he who does not<br />
master himself, and who does not wish to do so. To master oneself is in substance to want<br />
to transcend oneself, in conformity with the reason for being <strong>of</strong> that central and total<br />
creature which is man; in fact, the man <strong>of</strong> the “dark age” lives below himself. Thus he<br />
must transcend himself – or re-establish the equilibrium between Maya and Atma – in<br />
accordance with a norm which he bears within himself, and which comprises all that<br />
makes life worth living. [PM, On Intention]<br />
Art: Art in the broadest sense is the crystallization <strong>of</strong> archetypal values. [THC, To Have<br />
a Center]<br />
Art is the quest for – and the revelation <strong>of</strong> – the center, within us as well as around us.<br />
[THC, To Have a Center]<br />
Art is an activity, an exteriorization, and thus depends <strong>by</strong> definition on a knowledge that<br />
transcends it and gives it order; apart from such knowledge, art has no justification: it is<br />
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