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Novelty as such was not mentioned among the six points indicated as<br />
guidelines in the preparation of family meals by the regular textbook of<br />
home economics published by Japan Women’s College two years earlier.<br />
However, novelty was a natural outcome if the six principles were followed,<br />
because they could not be achieved without thorough reform of<br />
home menus: 1) nourishment and digestibility; 2) inexpensiveness; 3) suitability<br />
to the occasion (e.g. breakfast requires a different menu from<br />
dinner) and particular needs of each individual (e.g. white-collar versus<br />
manual workers, invalids, etc.); 4) taste; 5) suitability for age (e.g. children<br />
need different food from the elderly); 6) aesthetics of presentation. 40<br />
Yanagita Kunio (1875–1962), a pioneering Japanese ethnographer,<br />
noted an increased variety of food as one of the significant changes that<br />
the patterns of food consumption in Japan underwent in the early twentieth<br />
century. 41 The introduction of new foodstuffs from abroad, along with<br />
the development of new dishes inspired by foreign cuisine, constituted the<br />
core of this shift. The ideology of domesticity, with its emphasis on<br />
reforming monotonous meals of the past, propelled the dissemination of<br />
the new elements, since it revolutionized the general attitude toward home<br />
meals. Increased attention towards food cooked at home, and greater efforts<br />
to improve its quality, resulted in the growing differentiation between the<br />
home menus of members of the same neighbourhood. Many middle-class<br />
housewives strove to make their cooking varied and distinctive, and they<br />
were aided in this task by cookery columns of women’s magazine, which not<br />
only provided them with new recipes, but also regularly published weekly<br />
menu suggestions (see overleaf ). Variety in the menu is striking; even miso<br />
soup – the breakfast’s mainstay – uses a different type of vegetable each<br />
day. The high concentration of Western-style dishes during the weekend<br />
(chicken and peas in creamy sauce and pork balls on Saturday, and a<br />
Western-style fish dish on Sunday) indicates that these dishes were considered<br />
somehow special.<br />
Send-in-recipe contests organized by women’s magazines proved<br />
very popular among their readers. For example, in the early 1920s the<br />
magazine Shufu no tomo (‘Housewife’s Companion’) conducted a contest<br />
with the theme ‘Side Dishes that our Home is Proud of ’. Shufu no tomo,<br />
first published in 1917, was the most influential women’s magazine in<br />
pre-war Japan, with a nationwide circulation of 230,000–240,000 copies<br />
twice monthly. 42 The results of kitchen experiments from virtually the<br />
entire country were entered in the ‘Side Dishes that our Home is Proud of ’<br />
contest. 43 Many of the awarded recipes were Japanese-Western hybrid<br />
combinations, such as pork steamed in soy sauce, mashed potatoes with<br />
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