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Novelty as such was not mentioned among the six points indicated as<br />

guidelines in the preparation of family meals by the regular textbook of<br />

home economics published by Japan Women’s College two years earlier.<br />

However, novelty was a natural outcome if the six principles were followed,<br />

because they could not be achieved without thorough reform of<br />

home menus: 1) nourishment and digestibility; 2) inexpensiveness; 3) suitability<br />

to the occasion (e.g. breakfast requires a different menu from<br />

dinner) and particular needs of each individual (e.g. white-collar versus<br />

manual workers, invalids, etc.); 4) taste; 5) suitability for age (e.g. children<br />

need different food from the elderly); 6) aesthetics of presentation. 40<br />

Yanagita Kunio (1875–1962), a pioneering Japanese ethnographer,<br />

noted an increased variety of food as one of the significant changes that<br />

the patterns of food consumption in Japan underwent in the early twentieth<br />

century. 41 The introduction of new foodstuffs from abroad, along with<br />

the development of new dishes inspired by foreign cuisine, constituted the<br />

core of this shift. The ideology of domesticity, with its emphasis on<br />

reforming monotonous meals of the past, propelled the dissemination of<br />

the new elements, since it revolutionized the general attitude toward home<br />

meals. Increased attention towards food cooked at home, and greater efforts<br />

to improve its quality, resulted in the growing differentiation between the<br />

home menus of members of the same neighbourhood. Many middle-class<br />

housewives strove to make their cooking varied and distinctive, and they<br />

were aided in this task by cookery columns of women’s magazine, which not<br />

only provided them with new recipes, but also regularly published weekly<br />

menu suggestions (see overleaf ). Variety in the menu is striking; even miso<br />

soup – the breakfast’s mainstay – uses a different type of vegetable each<br />

day. The high concentration of Western-style dishes during the weekend<br />

(chicken and peas in creamy sauce and pork balls on Saturday, and a<br />

Western-style fish dish on Sunday) indicates that these dishes were considered<br />

somehow special.<br />

Send-in-recipe contests organized by women’s magazines proved<br />

very popular among their readers. For example, in the early 1920s the<br />

magazine Shufu no tomo (‘Housewife’s Companion’) conducted a contest<br />

with the theme ‘Side Dishes that our Home is Proud of ’. Shufu no tomo,<br />

first published in 1917, was the most influential women’s magazine in<br />

pre-war Japan, with a nationwide circulation of 230,000–240,000 copies<br />

twice monthly. 42 The results of kitchen experiments from virtually the<br />

entire country were entered in the ‘Side Dishes that our Home is Proud of ’<br />

contest. 43 Many of the awarded recipes were Japanese-Western hybrid<br />

combinations, such as pork steamed in soy sauce, mashed potatoes with<br />

103

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