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The style is known nowadays under the name kaiseki, but the term<br />

itself did not come into general use before the second half of the nineteenth<br />

century. 58 Kumakura Isao, a leading scholar of chanoyu, explains that the<br />

fundamental principles of kaiseki were developed by the renowned tea<br />

master Sen no Rikyū (1522–1591), the founding father of kaiseki, but the<br />

style kept changing after his death. For example, a meal served by Rikyū on<br />

one of his tea gatherings in 1590 consisted of rice, soup with vegetables and<br />

sea bream marinated in sake, followed by broiled salmon and fresh tōfu. 59<br />

Today, a conventional kaiseki meal consists of the following courses:<br />

First course: rice, soup, mukōzuke (vinegared dish or sashimi)<br />

Second course: simmered dish in hot broth (nimono)<br />

Third course: grilled dish (yakimono)<br />

Fourth course: ‘special dish’ (shiizakana)<br />

Fifth course: soup (suimono)<br />

Sixth course: pickled vegetables, a jug with hot water 60<br />

The main distinguishing feature of kaiseki was its sequential character.<br />

The style established a set of courses that were served in a carefully timed<br />

sequence, each item being brought to the table at its optimum temperature.<br />

As Kumakura explains, kaiseki attached significance to the sentiment of<br />

hospitality conveyed by the food rather than to how luxurious it was; it was<br />

supposed to reflect a sense of the season and sensitivity to human feelings.<br />

‘To serve well-prepared foods with consummate timing, so that hot foods<br />

can be eaten hot and cold foods cold – this was its very natural (yet<br />

extremely ambitious) aim; the issue of quantity, etiquette, and style simply<br />

followed from that goal.’ 61<br />

Kaiseki revolutionized the sixteenth-century conventions of formal<br />

dining in Japan, which were characterized by sumptuous flamboyance,<br />

with lavish quantities of food arrayed simultaneously in a dazzling<br />

ornamental display of several small tables (the so-called honzen ryōri).<br />

In contrast, kaiseki followed wabi aesthetics, which emphasized the beauty<br />

of restraint, penetrating to the true essence of things to discern beauty<br />

therein. 62 A typical honzen-style banquet included a large quantity of<br />

food that could not be eaten during the course of the meal, and a prominent<br />

place was occupied by food that served merely ornamental purpose.<br />

In contrast, the kaiseki style, influenced by the meal etiquette of Zen<br />

temples, demanded that only small quantities of food should be served.<br />

The menu was limited to allow for better appreciation of the taste of the<br />

food.<br />

110

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