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Although simplicity was a defining feature of the original, sixteenthcentury<br />
kaiseki, over time the style gradually became less austere and more<br />
beautiful to the eye. This change became particularly pronounced when, in<br />
the course of the nineteenth century, kaiseki was embraced by prestigious<br />
restaurants. Restaurant chefs changed somewhat the succession of the<br />
courses; for example, instead of serving rice at the beginning of the meal,<br />
they served it at the very end in order to keep their customers hungry and<br />
let them enjoy a long sequence of dishes.<br />
A Conventional Restaurant Kaiseki Meal: 63<br />
First course: an assorted dish (kuchitori)<br />
Second course: sashimi<br />
Third course: simmered dish (nimono)<br />
Fourth course: grilled dish (yakimono)<br />
Fifth course: steamed dish (mushimono)<br />
Sixth course: deep-fried dish (agemono)<br />
Seventh course: vinegared dish (sunomono)<br />
Eighth course: rice, soup, pickled vegetables<br />
Restaurateurs not only altered the structure of kaiseki, but also made it<br />
more extravagant, changing the character of the meal from that of ritualized<br />
tranquillity to that of epicurean enjoyment of excellent food. At this<br />
point two different styles of kaiseki began to diversify – a specialized meal<br />
served at tea gatherings and generally referred to today as chakaiseki (tea<br />
kaiseki), and an exclusive haute cuisine served at restaurants generally<br />
known as enkaiseki (banqueting kaiseki). In order to distinguish clearly<br />
the tea kaiseki from its restaurant copy, a new set of ideograms (but pronounced<br />
exactly the same) came into wider use. While the original set of<br />
characters had an ordinary meaning of a ‘banquet’, ‘meal’ or ‘menu’, the<br />
new set of characters, which began to appear in tea-ceremony literature<br />
from the middle of the seventeenth century, had a strong ideological connotation.<br />
In a literal translation it meant ‘rock held to one’s bosom’, referring<br />
to the fact that in the same way that Zen monks, during the course of<br />
their austerities, placed warm stones in the bosoms of their robes to stave<br />
off hunger, this was a simple meal intended to help people bear hunger<br />
pangs. 64 The new set of characters stressed the spiritual value of tea kaiseki,<br />
and the popularization of the new term during the nineteenth century<br />
was clearly a reaction to the increasing dominance of the more flamboyant<br />
version of kaiseki in prestigious restaurants.<br />
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