free download here - Michael Llewellyn-Smith
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The Death of Pan<br />
But that indefatigable geographer Pausanias when he travelled<br />
round Greece in the second century A.D., found evidence of Pan’s cult<br />
in shrines, caves and altars which were not neglected. And the cult<br />
continued. The case of those who hold that the Greeks have always<br />
been pagan, that Christianity never touched the roots of their lives,<br />
begins to look plausible. But it is a case that must be approached<br />
warily, for several reasons. First, we must not forget those who lived in<br />
the towns, who mixed with the Venetians, who doubtless often looked<br />
down on the country folk just as the modern townsfolk often do: the<br />
folk songs are not good evidence for their beliefs, yet they are just as<br />
much Cretans as the ‘folk’. Second, t<strong>here</strong> is abundant evidence from<br />
outside the songs of the hold Christianity has had on the Cretans –<br />
evidence from the countless churches all over the island, from the<br />
stories of Cretan sacred wars against the Turks. Third, we must not fall<br />
too easily for the theory that folk songs show what a people really<br />
believes, that they contain the distilled wisdom, the hard core of a<br />
race’s philosophy; and that t<strong>here</strong>fore the paganism of Greek songs<br />
shows that the Greeks have in some way always remained cryptopagans.<br />
For although it may be granted that any major theme in a<br />
country’s folk song is important to the race’s life and interests, it does<br />
not follow that everything which is important to a race’s life and<br />
interests finds a place in folk song.<br />
To take one obvious example. The sea is physically closer to most<br />
Greeks than to most Englishmen. It supplies thousands of them with a<br />
livelihood. The Greeks are a nation of sailors and merchants. Yet the<br />
sea, which is a major interest of literary poets and writers, hardly<br />
figures in folk poetry. T<strong>here</strong> is only one important ballad about the<br />
sea: ‘O Kyr Varies’ (Mister Northwind). In one form of this a ship is<br />
engulfed by a tempest. A Jew who is on board swears that if he is saved<br />
he will become Christian; but thinking, in the lull that follows, to have<br />
escaped, he goes back on his oath, and the ship is lost after all. T<strong>here</strong><br />
are some variants on this theme. But if we had to judge from the folk<br />
songs alone we should never have guessed how important the sea has<br />
always been to the Greeks. Thus even in folk poetry one must beware<br />
of the argument from silence.<br />
It may be then that sincere beliefs in the doctrines of Christianity<br />
just do not happen to form a suitable subject for folk poetry. But the<br />
case for paganism is not just that the songs contain non-Christian<br />
elements, as we shall see; it is that the system of beliefs contained in<br />
the folk songs actually contradicts Christianity in several important<br />
ways – for example, over the question of life after death. This being<br />
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