free download here - Michael Llewellyn-Smith
free download here - Michael Llewellyn-Smith
free download here - Michael Llewellyn-Smith
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The Song<br />
Eat and drink, captains, and I shall tell you,<br />
I shall tell you the story of a brave man,<br />
A young man whom I saw on the plains hunting,<br />
Hunting the hares and chasing the ibex.<br />
– Put off your clothes, young man, lay down your weapons<br />
And bind your hands high in the air and I’ll take your soul.<br />
– I’ll not put off my clothes or my weapons.<br />
You are a man, I am a man, both of us brave –<br />
Come let us wrestle on the marble threshing floor,<br />
For the mountains would crack and the countryside be spoilt.<br />
They went and wrestled on the iron threshing floor.<br />
And nine times the young man threw Charos,<br />
And Charos rose up again nine times, and took the young man,<br />
Grasped his hair and forced him to his knees.<br />
– Let go my hair, Charos, and take me by the arm,<br />
And then I will show you what heroes are made of.<br />
– I take all heroes just like this,<br />
I take beautiful girls and fighting men<br />
And I take little babies with their mothers.<br />
A slender girl met me on the three steps of Hades<br />
And I thought she would ask me of her mother<br />
Her brother or sister or her first cousins;<br />
But she did not ask me of her mother<br />
Her brother or her sister or her first cousins,<br />
But she sat down and asked me of the upper world.<br />
–Does the sky still hold up, does the upper world stand?<br />
Do brave young men and women stili get married?<br />
Do they build churches, do they build monasteries,<br />
Do they baptize children?<br />
In other songs Hades is a place of denial and negation, w<strong>here</strong> t<strong>here</strong><br />
are no children playing, no targets to shoot at, no weapons, no musical<br />
instruments. Sometimes the dead make vain plans to escape. In Greek<br />
folk song as a whole the iconography of death is extraordinarily rich –<br />
for it is pictures which these songs put into the mind, miniature,<br />
poignant pictures. The view they embody is primitive and anti-<br />
Christian. T<strong>here</strong> are glimpses of Christian elements; Charos sometimes<br />
appears dazzling with golden hair like the rays of the sun, his eyes<br />
flashing lightning– in other words with the attributes of the Archangel<br />
<strong>Michael</strong>, who is Charos’s shadow-minister in the Christian tradition,<br />
and carries off the soul at the moment of death. But this is little comfort<br />
when his kingdom is as it is. It is a place of nothingness. It is the abroad<br />
from which you do not return. And t<strong>here</strong> is a perpetual, frustrated.<br />
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