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The Song<br />

Eat and drink, captains, and I shall tell you,<br />

I shall tell you the story of a brave man,<br />

A young man whom I saw on the plains hunting,<br />

Hunting the hares and chasing the ibex.<br />

– Put off your clothes, young man, lay down your weapons<br />

And bind your hands high in the air and I’ll take your soul.<br />

– I’ll not put off my clothes or my weapons.<br />

You are a man, I am a man, both of us brave –<br />

Come let us wrestle on the marble threshing floor,<br />

For the mountains would crack and the countryside be spoilt.<br />

They went and wrestled on the iron threshing floor.<br />

And nine times the young man threw Charos,<br />

And Charos rose up again nine times, and took the young man,<br />

Grasped his hair and forced him to his knees.<br />

– Let go my hair, Charos, and take me by the arm,<br />

And then I will show you what heroes are made of.<br />

– I take all heroes just like this,<br />

I take beautiful girls and fighting men<br />

And I take little babies with their mothers.<br />

A slender girl met me on the three steps of Hades<br />

And I thought she would ask me of her mother<br />

Her brother or sister or her first cousins;<br />

But she did not ask me of her mother<br />

Her brother or her sister or her first cousins,<br />

But she sat down and asked me of the upper world.<br />

–Does the sky still hold up, does the upper world stand?<br />

Do brave young men and women stili get married?<br />

Do they build churches, do they build monasteries,<br />

Do they baptize children?<br />

In other songs Hades is a place of denial and negation, w<strong>here</strong> t<strong>here</strong><br />

are no children playing, no targets to shoot at, no weapons, no musical<br />

instruments. Sometimes the dead make vain plans to escape. In Greek<br />

folk song as a whole the iconography of death is extraordinarily rich –<br />

for it is pictures which these songs put into the mind, miniature,<br />

poignant pictures. The view they embody is primitive and anti-<br />

Christian. T<strong>here</strong> are glimpses of Christian elements; Charos sometimes<br />

appears dazzling with golden hair like the rays of the sun, his eyes<br />

flashing lightning– in other words with the attributes of the Archangel<br />

<strong>Michael</strong>, who is Charos’s shadow-minister in the Christian tradition,<br />

and carries off the soul at the moment of death. But this is little comfort<br />

when his kingdom is as it is. It is a place of nothingness. It is the abroad<br />

from which you do not return. And t<strong>here</strong> is a perpetual, frustrated.<br />

119

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