free download here - Michael Llewellyn-Smith
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The Great Island<br />
Greek, on the assumption I suppose that enough Greeks knew English.<br />
From time to time he would drop in and ask me to make telephone calls<br />
for him in Greek.<br />
The sad thing was that, despite his circumscribed access to Greeks<br />
and their history and language, he became violently anti-Greek. His<br />
attitudes to American domestic issues were those of a liberal and nuclear<br />
disarmer. Yet his attitude to the Greeks shared some of the characteristics<br />
of racial prejudice, and was based on the same cause – fear of<br />
difference. I remember one occasion at a party when he attempted to<br />
demolish the myth that the Greeks were courageous – in front of Greeks<br />
– by pointing out that it took the Germans only three days to sweep<br />
through mainland Greece. One could hardly find a clearer example of<br />
prejudice.<br />
He was exceptional, of course. But the cause of his prejudice –<br />
failure to latch on to any kind of reality, political, cultural or linguistic,<br />
in Greece; failure even to try – works also in others. This is partly why<br />
Athens is in some ways an unsatisfactory city. But t<strong>here</strong> is another<br />
reason; Athens lacks solidity, it lacks a heart. T<strong>here</strong> is not the presence<br />
of that tradition embodied in palaces, cathedrals and ruined monuments<br />
which makes Rome a capital city, w<strong>here</strong> you can walk the streets<br />
and feel the past stretching back in an unbroken chain whose links are<br />
these memorials of unforgotten craftsmen. Always in Athens you are<br />
conscious of the long gap, the void which opens up after Hadrian’s<br />
magnificent adornment and yawns until the neo-classical libraries and<br />
university buildings begin to sprout in the last century. Constantinople<br />
is the City. Athens is a construction in concrete in which the shambling<br />
Plaka twines itself into the roots of the Acropolis like a tough and lovely<br />
creeper at the foot of some marvellous tree.<br />
And still it draws like a magnet, it fascinates. Like Cavafy’s Alexandria<br />
:<br />
The city will follow you. You will walk the same streets.<br />
And in the same neighbourhoods you will grow old.<br />
And it is in these same houses you will turn grey.<br />
Always it is at this city you will arrive. Elsew<strong>here</strong> – hold out no hopes–<br />
T<strong>here</strong> is no ship for you, t<strong>here</strong> is no road.<br />
Just as you have destroyed your life <strong>here</strong><br />
In this little corner, so you have ruined it in all the world.<br />
In this way Athens, and Crete, and Greece herself all infiltrate our<br />
bodies, so that we carry them in us for ever. Those who have lived<br />
t<strong>here</strong> know this well. And I knew too that when I went to Crete I was<br />
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