free download here - Michael Llewellyn-Smith
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The Great Island<br />
never saw a vampire, ghost, Nereid or phantom army. I wish I had;<br />
I should then have been better placed in arguments about their<br />
existence and explanation. The total sceptic tends to look smug in<br />
such circum-stances.<br />
This excursus round Sphakia would not be complete without a side<br />
trip to Frangokastello, a few miles eastward down the coast.<br />
Frangokastello stands like a lonely sentinel a few yards from the<br />
sea, w<strong>here</strong> the twisting cliffs have receded and left a few miles of<br />
scrubby plain along the shore. From the hills above Sphakia you look<br />
eastwards and see a pinpoint of light gleaming in the distance – a gold<br />
sovereign dropped by some passing Frankish millionaire. The Franks,<br />
all of them rich in the eyes of the Cretans, left treasures buried all over<br />
Crete, we are told. Of these Castel Franco is the unique golden survivor.<br />
This is not to say that t<strong>here</strong> are not other Genoese or Venetian remains<br />
and buildings – the monastery of Arcade is a splendid example of<br />
sixteenth-century baroque, with its scrolls and flowery garlands, its<br />
light Corinthian columns splitting the facade; only that Frangokastello<br />
in its lonely eminence seems untouched by subsequent history, totally<br />
foreign. From a distance the castle seems perfect, unscarred. The<br />
golden, honey-coloured stone glows and traps the light. Only when<br />
you approach can you see that the weather-beaten, battered lion of<br />
St Mark, who stands guard over the southern door, is protector of a<br />
ruin. The roof has gone. Lizards bask on the sun-baked stone. Coarse<br />
grasses and pungent herbs have wedged themselves into the fissures<br />
and taken possession of the Franks’ preserve.<br />
I thought of Pashley, whom ruins inspired to almost Gibbonian<br />
aphorisms. In Gaidouropolis, over the gateway of a palatial Venetian<br />
building, he saw the motto OMNIA MUNDI FUMUS ET UMBRA :<br />
a moral aphorism of the truth of which Venice has certainly afforded a memorable<br />
example. What a contrast between her state at the time to which these few<br />
words carry us back, and at the present day ! Then, the shade of her power was<br />
spread over several of the fairest countries of the world; now, her very name is<br />
blotted out from the list of nations. And yet how little can anyone, who loves<br />
his kind, regret her fall ?<br />
Smoke and shade. From Castel Temene, erected in 961, the year when<br />
Nicephoras Phocas reclaimed Crete from the Arabs, to Castel Sfacchia<br />
(1526), all the great castles are more or less gone, and Frangokastello<br />
is the best preserved. Of the others, Boschini’s drawings are the<br />
memorial.<br />
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