Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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100 Chapter 7 Metering Tools Using the Surround MultiMeter Level Meter The Level Meter displays the current signal level on a logarithmic decibel scale. The signal level for each channel is represented by a blue bar. RMS and Peak levels are shown simultaneously, with RMS levels appearing as dark blue bars, and Peak levels appearing as light blue bars. When the level exceeds 0 dB, the portion of the bar above the 0 dB mark turns red. Current peak values are displayed numerically (in dB increments) above the Level Meter. Click in the display to reset peak values. Using the Surround MultiMeter Balance/Correlation Parameters The Surround MultiMeter’s Correlation Meter gauges the balance or sound placement between all incoming signals. Strongly correlated signals are shown as sharp markers and less strongly correlated signals as a blurred area. Activate the Surround MultiMeter’s Balance/Correlation button to view the Correlation Meter in the main display.
Depending on the chosen surround format, a number of points that indicate speaker positions are shown (L, R, C, Ls, Rs in a 5.1 configuration is displayed in the figure). Lines connect these points. The center position of each connecting line is indicated by a blue marker. A gray ball indicates the surround field/sound placement. As you move the surround panner of the channel strip, the ball in the Correlation Meter mirrors your movements. The blue markers also move in real time, with shaded gray lines indicating the divergence from the centered positions on each of the connecting lines. The LFE channel Correlation Meter is shown at the bottom of the main display. The horizontal area around the white correlation indicator denotes phase correlation deviations in real time. This is shown in both directions. A vertical red line to the left of the correlation indicator shows the maximum negative phase deviation value. You can reset this line by clicking it during playback. The LFE Correlation Meter’s scale values indicate the following: • A +1 correlation value indicates that the signal is balanced. • Correlation values in the blue zone (between +1 and the middle position) indicate that the signal is mono compatible. • The middle position indicates the highest allowable amount of channel divergence. • When the meter moves into the red area to the left of the center position, out-of-balance material is present. Surround MultiMeter Peak Parameters The Surround MultiMeter offers the following Peak parameters: • Hold button: Activates peak hold for all metering tools in the Surround MultiMeter, as follows: • Analyzer: A small yellow segment above each level bar indicates the most recent peak level. • Goniometer: All illuminated pixels are held during a peak hold. • Level Meter: A small yellow segment above each level bar indicates the most recent peak level. • Balance/Correlation Meter: The horizontal area around the white correlation indicator denotes phase correlation deviations in real time, in both directions. Note: This meter must be manually opened by clicking the Balance/Correlation button. Chapter 7 Metering Tools 101
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Soundtrack Pro 3 Effects Reference
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Preface Chapter 1 Chapter 2 Chapter
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Chapter 12 Chapter 13 153 153 155 1
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Effect category Dynamics Processors
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Delay Effects 1 Delay effects store
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• Master section: This area conta
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Tip: If the Overview display is hid
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Delay Designer Tap Creation Suggest
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Moving and Deleting Taps in Delay D
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2 Vertically drag the bright line o
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Editing Filter Cutoff in Delay Desi
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Editing Taps in Delay Designer’s
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To reset the value of a tap Do one
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Use subtle variations of the grid p
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Stereo Delay The Stereo Delay works
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• Delay field: Sets the current d
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36 Chapter 2 Distortion Effects Bit
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38 Chapter 2 Distortion Effects •
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40 Chapter 2 Distortion Effects •
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By reducing the highest parts of th
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• Out Ceiling knob and field: Set
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Setting Suitable Compressor Envelop
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Using the Enveloper The most import
Page 50 and 51: Limiter The Limiter works much like
Page 52 and 53: Multipressor Parameters The paramet
Page 54 and 55: Setting Multipressor Compression Pa
Page 56 and 57: Using the Noise Gate In most situat
Page 58 and 59: Surround Compressor Link Section Pa
Page 60 and 61: • Threshold knob and field: Sets
Page 62 and 63: 62 Chapter 4 Equalizers Channel EQ
Page 64 and 65: 64 Chapter 4 Equalizers You can red
Page 66 and 67: 66 Chapter 4 Equalizers Note: For b
Page 68 and 69: 68 Chapter 4 Equalizers • Analyze
Page 70 and 71: 70 Chapter 4 Equalizers Match EQ Pa
Page 72 and 73: Note: Smoothing has no effect on an
Page 74 and 75: The Q factor of the filter is deter
Page 76 and 77: 76 Chapter 4 Equalizers High Shelvi
Page 78 and 79: 78 Chapter 5 Filter Effects Getting
Page 80 and 81: 80 Chapter 5 Filter Effects • Bea
Page 82 and 83: 82 Chapter 5 Filter Effects AutoFil
Page 84 and 85: • Sub Energy and field: Controls
Page 86 and 87: • Spread slider and field: Determ
Page 88 and 89: Understanding MS Miking To make a M
Page 91 and 92: Metering Tools 7 You can use the Me
Page 93 and 94: Using the MultiMeter Analyzer In An
Page 95 and 96: Using the MultiMeter’s Level Mete
Page 97 and 98: Although you can insert the Surroun
Page 99: Because the Surround MultiMeter Gon
Page 103: • Tuning Adjustment slider and fi
Page 106 and 107: Chorus Effect The Chorus effect del
Page 108 and 109: Flanger Effect The Flanger effect w
Page 110 and 111: • 180° or -180° is equal to the
Page 112 and 113: Ringshifter The Ringshifter effect
Page 114 and 115: • In the ring modulator OSC mode,
Page 116 and 117: Modulating the Ringshifter with the
Page 118 and 119: • Chorus Int knob: Sets the inten
Page 121 and 122: Pitch Effects 9 You can use the Pit
Page 123 and 124: Vocal Transformer Parameters The Vo
Page 125 and 126: Reverb Effects 10 You can use Rever
Page 127 and 128: PlatinumVerb The PlatinumVerb allow
Page 129 and 130: PlatinumVerb Reverb Parameters The
Page 131 and 132: Space Designer Convolution Reverb S
Page 133 and 134: Working with Space Designer’s Imp
Page 135 and 136: Any mono, stereo, AIFF, SDII, or WA
Page 137 and 138: All envelopes are automatically cal
Page 139 and 140: Whereas some parameters are envelop
Page 141 and 142: Using Space Designer’s Density En
Page 143 and 144: 2 Drag the pointer horizontally ove
Page 145 and 146: Note: Activation of the filter enve
Page 147 and 148: • Spread and Xover knobs (synthes
Page 149 and 150: Using Space Designer’s Rev Vol Co
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This can be useful for eliminating
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Specialized Effects and Utilities 1
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Denoiser The Denoiser eliminates or
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Using the Denoiser The following st
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SubBass Parameters The SubBass offe
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Utilities and Tools 13 The tools fo
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Test Oscillator Test Oscillator gen
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