Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

Space Designer Surround Output Configuration Parameters
• C(enter) slider: Adjusts the output level of the center channel independently of other
surround channels.
• Bal(ance) slider: Sets the level balance between the front (L-C-R) and rear (Ls-Rs) channels.
• In 7.1 ITU surround, the balance pivots around the Lm-Rm speakers, taking the
surround angles into account.
• With 7.1 SDDS surround, the Lc-Rc speakers are considered front speakers.
• Rev(erb) slider: Adjusts the output level of the effect (wet) signal for all channels.
• Dry slider: Sets the overall level of the non-effect signal for all channels. Set this to a
value of 0 (mute) when using Space Designer as a bus effect in an aux channel strip.
Use the Send knob of each bussed channel strip to control the wet/dry balance.
Working with Pre-Dly (Predelay) in Space Designer
Predelay is the amount of time that elapses between the original signal and the initial
early reflections of the reverberation.
For a room of any given size and shape, predelay determines the distance between the
listener and the walls, ceiling, and floor. Space Designer allows you to adjust this parameter
separately from predelay, and over a greater range than what would be considered natural
for predelay.
In practice, an extremely short predelay tends to make it difficult to pinpoint the position
of the signal source. It can also color the sound of the original signal. On the other hand,
an excessively long predelay can be perceived as an unnatural echo. It can also divorce
the original signal from its early reflections, leaving an audible gap between the original
and reverb signals.
The ideal predelay setting for different sounds depends on the properties of—or more
accurately, the envelope of—the original signal. Percussive signals generally require
shorter predelays than signals where the attack fades in gradually, such as strings. A good
rule of thumb is to use the longest predelay possible before undesirable side effects, such
as an audible echo, begin materializing.
Obviously, these guidelines are intended to help you design realistic-sounding spaces
that are suitable for different signals. If you want to create unnatural sound stages or
otherworldly reverbs and echoes, feel free to experiment with the Pre-Dly parameter.
Using Space Designer’s IR Start Parameter
The IR Start parameter enables you to shift the playback start point of the impulse
response, which will effectively cut off the beginning of the impulse response.
150 Chapter 11 Space Designer Convolution Reverb