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Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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• Delay field: Sets the curr<strong>en</strong>t delay time in milliseconds (this parameter is dimmed wh<strong>en</strong><br />

you synchronize the delay time to the project tempo).<br />

• Sync button: Synchronizes delay repeats to the project tempo (including tempo changes).<br />

• Tempo field: Sets the curr<strong>en</strong>t delay time in beats per minute (this parameter is dimmed<br />

wh<strong>en</strong> you synchronize the delay time to the project tempo).<br />

• Groove slider and field: Determines the proximity of every second delay repeat to the<br />

absolute grid position—in other words, how close every second delay repeat is. A<br />

Groove setting of 50% means that every delay has the same delay time. Settings below<br />

50% result in every second delay being played earlier in time. Settings above 50% result<br />

in every second delay being played later in time. Wh<strong>en</strong> you want to create dotted note<br />

values, move the Groove slider all the way to the right (to 75%). For triplets, select the<br />

33.33% setting.<br />

• Note buttons: Set the grid resolution for the delay time. This is shown as note durations<br />

(these are dimmed wh<strong>en</strong> the delay time is not synchronized with the project tempo).<br />

• Low Cut and High Cut sliders and fields: Frequ<strong>en</strong>cies below the Low Cut value and above<br />

the High Cut value are filtered out of the source signal. You can shape the sound of<br />

the echoes with the highpass and lowpass filters. The filters are located in the feedback<br />

circuit, which means that the filtering effect increases in int<strong>en</strong>sity with each delay<br />

repeat. If you want an increasingly muddy and confused tone, move the High Cut slider<br />

toward the left. For ever thinner echoes, move the Low Cut slider toward the right. If<br />

you’re unable to hear the effect ev<strong>en</strong> though you seem to have a suitable configuration,<br />

be sure to check out both the Dry and Wet controls and the filter settings—move the<br />

High Cut slider to the far right, and the Low Cut slider to the far left.<br />

• Smooth slider and field: Ev<strong>en</strong>s out the LFO and flutter effect.<br />

• LFO Rate knob and field: Sets the frequ<strong>en</strong>cy of the LFO.<br />

• LFO Depth knob and field: Sets the amount of LFO modulation. A value of 0 turns delay<br />

modulation off.<br />

• Flutter Rate and Int<strong>en</strong>sity sliders and fields: Simulate the speed irregularities of the tape<br />

transports used in analog tape delay units.<br />

• Flutter Rate: Sets the speed variation.<br />

• Flutter Int<strong>en</strong>sity: Determines how pronounced the effect is.<br />

• Dry and Wet sliders and fields: Indep<strong>en</strong>d<strong>en</strong>tly control the amount of original and effect<br />

signal.<br />

Chapter 1 Delay <strong>Effects</strong><br />

33

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