Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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The Detector parameters are on the left side of the DeEsser window, and the Suppressor parameters are on the right. The center section includes the Detector and Suppressor displays and the Smoothing slider. DeEsser Detector Section • Detector Frequency knob and field: Sets the frequency range for analysis. • Detector Sensitivity knob and field: Sets the degree of responsiveness to the input signal. • Monitor pop-up menu: Choose Det(ector) to monitor the isolated Detector signal, Sup(pressor) to monitor the filtered Suppressor signal, Sens(itivity) to remove the sound from the input signal in response to the Sensitivity parameter, or Off to hear the DeEsser output. DeEsser Suppressor Section • Suppressor Frequency knob and field: Sets the frequency band that is reduced when the Detector sensitivity threshold is exceeded. • Strength knob and field: Sets the amount of gain reduction for signals that surround the Suppressor frequency. • Activity LED: Indicates active suppression in real time. DeEsser Center Section • Detector and Suppressor frequency displays: The upper display shows the Detector frequency range. The lower display shows the Suppressor frequency range (in Hz). • Smoothing slider: Sets the reaction speed of the gain reduction start and end phases. Smoothing controls both the attack and release times, as they are used by compressors. 154 Chapter 12 Specialized Effects and Utilities
Denoiser The Denoiser eliminates or reduces any noise below a threshold volume level. The Denoiser uses fast Fourier transform (FFT) analysis to recognize frequency bands of lower volume and less complex harmonic structure. It then reduces these low-level, less complex bands to the desired dB level. If you use the Denoiser too aggressively, however, the algorithm produces artifacts, which are usually less desirable than the existing noise. If using the Denoiser produces these artifacts, you can use the three Smoothing knobs to reduce or eliminate them. Denoiser Main Parameters The Denoiser offers the following main parameters: Threshold slider and field Noise Type slider and field Reduce slider and field Graphical display • Threshold slider and field: Sets the threshold level. Signals that fall below this level are reduced by the Denoiser. Chapter 12 Specialized Effects and Utilities 155
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Soundtrack Pro 3 Effects Reference
Page 3 and 4:
Preface Chapter 1 Chapter 2 Chapter
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Chapter 12 Chapter 13 153 153 155 1
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Effect category Dynamics Processors
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Delay Effects 1 Delay effects store
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• Master section: This area conta
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Tip: If the Overview display is hid
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Delay Designer Tap Creation Suggest
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Moving and Deleting Taps in Delay D
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2 Vertically drag the bright line o
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Editing Filter Cutoff in Delay Desi
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Editing Taps in Delay Designer’s
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To reset the value of a tap Do one
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Use subtle variations of the grid p
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Stereo Delay The Stereo Delay works
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• Delay field: Sets the current d
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36 Chapter 2 Distortion Effects Bit
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38 Chapter 2 Distortion Effects •
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40 Chapter 2 Distortion Effects •
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By reducing the highest parts of th
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• Out Ceiling knob and field: Set
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Setting Suitable Compressor Envelop
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Using the Enveloper The most import
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Limiter The Limiter works much like
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Multipressor Parameters The paramet
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Setting Multipressor Compression Pa
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Using the Noise Gate In most situat
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Surround Compressor Link Section Pa
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• Threshold knob and field: Sets
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62 Chapter 4 Equalizers Channel EQ
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64 Chapter 4 Equalizers You can red
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66 Chapter 4 Equalizers Note: For b
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68 Chapter 4 Equalizers • Analyze
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70 Chapter 4 Equalizers Match EQ Pa
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Note: Smoothing has no effect on an
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The Q factor of the filter is deter
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76 Chapter 4 Equalizers High Shelvi
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78 Chapter 5 Filter Effects Getting
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80 Chapter 5 Filter Effects • Bea
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82 Chapter 5 Filter Effects AutoFil
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• Sub Energy and field: Controls
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• Spread slider and field: Determ
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Understanding MS Miking To make a M
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Metering Tools 7 You can use the Me
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Using the MultiMeter Analyzer In An
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Using the MultiMeter’s Level Mete
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Although you can insert the Surroun
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Because the Surround MultiMeter Gon
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Depending on the chosen surround fo
Page 103: • Tuning Adjustment slider and fi
Page 106 and 107: Chorus Effect The Chorus effect del
Page 108 and 109: Flanger Effect The Flanger effect w
Page 110 and 111: • 180° or -180° is equal to the
Page 112 and 113: Ringshifter The Ringshifter effect
Page 114 and 115: • In the ring modulator OSC mode,
Page 116 and 117: Modulating the Ringshifter with the
Page 118 and 119: • Chorus Int knob: Sets the inten
Page 121 and 122: Pitch Effects 9 You can use the Pit
Page 123 and 124: Vocal Transformer Parameters The Vo
Page 125 and 126: Reverb Effects 10 You can use Rever
Page 127 and 128: PlatinumVerb The PlatinumVerb allow
Page 129 and 130: PlatinumVerb Reverb Parameters The
Page 131 and 132: Space Designer Convolution Reverb S
Page 133 and 134: Working with Space Designer’s Imp
Page 135 and 136: Any mono, stereo, AIFF, SDII, or WA
Page 137 and 138: All envelopes are automatically cal
Page 139 and 140: Whereas some parameters are envelop
Page 141 and 142: Using Space Designer’s Density En
Page 143 and 144: 2 Drag the pointer horizontally ove
Page 145 and 146: Note: Activation of the filter enve
Page 147 and 148: • Spread and Xover knobs (synthes
Page 149 and 150: Using Space Designer’s Rev Vol Co
Page 151 and 152: This can be useful for eliminating
Page 153: Specialized Effects and Utilities 1
Page 157 and 158: Using the Denoiser The following st
Page 159 and 160: SubBass Parameters The SubBass offe
Page 161 and 162: Utilities and Tools 13 The tools fo
Page 163: Test Oscillator Test Oscillator gen
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Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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