Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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The Q factor of the filter is determined (and set) by the vertical distance between the clicked position and the curve. To set the Match EQ Q factor µ Click the curve directly to set the maximum Q value of 10 (for notch-like filters). µ Click above or below the curve to decrease the Q value. The farther you click from the curve, the smaller the value (down to the minimum of 0.3). The colors and modes of the dB scales on the left and right of the display are automatically adapted to the active function. If the Analyzer is active, the left scale displays the average spectrum in the signal, while the right scale serves as a reference for the peak values of the Analyzer. A dynamic range of 60 dB is shown by default. If this is not precise enough for your edits, you can increase the range. To change the Match EQ scale range µ Drag either scale to set values of up to +20 dB and -100 dB. To change Match EQ gain with the scales µ Drag either scale to adjust the overall gain of the filter curve from -30 to +30 dB. The left scale—and the right, if the Analyzer is inactive—shows the dB values for the filter curve in an appropriate color. Single-Band EQs The sections below provide descriptions for the following Soundtrack Pro single-band EQ effects: • High Cut and Low Cut Filter • High Pass and Low Pass Filter • High Shelving and Low Shelving EQ • Parametric EQ 74 Chapter 4 Equalizers
High Cut and Low Cut Filter The Low Cut Filter attenuates the frequency range that falls below the selected frequency. The High Cut Filter attenuates the frequency range above the selected frequency. Use the Frequency field and slider to set the cutoff frequency. High Pass and Low Pass Filter The High Pass Filter affects the frequency range below the set frequency. Higher frequencies pass through the filter. You can use the High Pass Filter to eliminate the bass below a selectable frequency. In contrast, the Low Pass Filter affects the frequency range above the selected frequency. • Frequency field and slider: Sets the cutoff frequency. • Order field and slider: Sets the filter order. The more orders used, the stronger the filtering effect. • Smoothing field and slider: Adjusts the amount of smoothing, in milliseconds. Chapter 4 Equalizers 75
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Soundtrack Pro 3 Effects Reference
Page 3 and 4:
Preface Chapter 1 Chapter 2 Chapter
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Chapter 12 Chapter 13 153 153 155 1
Page 8 and 9:
Effect category Dynamics Processors
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Delay Effects 1 Delay effects store
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• Master section: This area conta
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Tip: If the Overview display is hid
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Delay Designer Tap Creation Suggest
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Moving and Deleting Taps in Delay D
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2 Vertically drag the bright line o
Page 23 and 24: Editing Filter Cutoff in Delay Desi
Page 25 and 26: Editing Taps in Delay Designer’s
Page 27 and 28: To reset the value of a tap Do one
Page 29 and 30: Use subtle variations of the grid p
Page 31 and 32: Stereo Delay The Stereo Delay works
Page 33: • Delay field: Sets the current d
Page 36 and 37: 36 Chapter 2 Distortion Effects Bit
Page 38 and 39: 38 Chapter 2 Distortion Effects •
Page 40 and 41: 40 Chapter 2 Distortion Effects •
Page 42 and 43: By reducing the highest parts of th
Page 44 and 45: • Out Ceiling knob and field: Set
Page 46 and 47: Setting Suitable Compressor Envelop
Page 48 and 49: Using the Enveloper The most import
Page 50 and 51: Limiter The Limiter works much like
Page 52 and 53: Multipressor Parameters The paramet
Page 54 and 55: Setting Multipressor Compression Pa
Page 56 and 57: Using the Noise Gate In most situat
Page 58 and 59: Surround Compressor Link Section Pa
Page 60 and 61: • Threshold knob and field: Sets
Page 62 and 63: 62 Chapter 4 Equalizers Channel EQ
Page 64 and 65: 64 Chapter 4 Equalizers You can red
Page 66 and 67: 66 Chapter 4 Equalizers Note: For b
Page 68 and 69: 68 Chapter 4 Equalizers • Analyze
Page 70 and 71: 70 Chapter 4 Equalizers Match EQ Pa
Page 72 and 73: Note: Smoothing has no effect on an
Page 76 and 77: 76 Chapter 4 Equalizers High Shelvi
Page 78 and 79: 78 Chapter 5 Filter Effects Getting
Page 80 and 81: 80 Chapter 5 Filter Effects • Bea
Page 82 and 83: 82 Chapter 5 Filter Effects AutoFil
Page 84 and 85: • Sub Energy and field: Controls
Page 86 and 87: • Spread slider and field: Determ
Page 88 and 89: Understanding MS Miking To make a M
Page 91 and 92: Metering Tools 7 You can use the Me
Page 93 and 94: Using the MultiMeter Analyzer In An
Page 95 and 96: Using the MultiMeter’s Level Mete
Page 97 and 98: Although you can insert the Surroun
Page 99 and 100: Because the Surround MultiMeter Gon
Page 101 and 102: Depending on the chosen surround fo
Page 103: • Tuning Adjustment slider and fi
Page 106 and 107: Chorus Effect The Chorus effect del
Page 108 and 109: Flanger Effect The Flanger effect w
Page 110 and 111: • 180° or -180° is equal to the
Page 112 and 113: Ringshifter The Ringshifter effect
Page 114 and 115: • In the ring modulator OSC mode,
Page 116 and 117: Modulating the Ringshifter with the
Page 118 and 119: • Chorus Int knob: Sets the inten
Page 121 and 122: Pitch Effects 9 You can use the Pit
Page 123 and 124: Vocal Transformer Parameters The Vo
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Reverb Effects 10 You can use Rever
Page 127 and 128:
PlatinumVerb The PlatinumVerb allow
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PlatinumVerb Reverb Parameters The
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Space Designer Convolution Reverb S
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Working with Space Designer’s Imp
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Any mono, stereo, AIFF, SDII, or WA
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All envelopes are automatically cal
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Whereas some parameters are envelop
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Using Space Designer’s Density En
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2 Drag the pointer horizontally ove
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Note: Activation of the filter enve
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• Spread and Xover knobs (synthes
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Using Space Designer’s Rev Vol Co
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This can be useful for eliminating
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Specialized Effects and Utilities 1
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Denoiser The Denoiser eliminates or
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Using the Denoiser The following st
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SubBass Parameters The SubBass offe
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Utilities and Tools 13 The tools fo
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Test Oscillator Test Oscillator gen
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Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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