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Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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By reducing the highest parts of the signal, called peaks, a compressor raises the overall<br />

level of the signal, increasing the perceived volume. This gives the signal more focus<br />

by making the louder (foreground) parts stand out, while keeping the softer background<br />

parts from becoming inaudible. Compression also t<strong>en</strong>ds to make sounds tighter or<br />

punchier because transi<strong>en</strong>ts are emphasized, dep<strong>en</strong>ding on attack and release settings,<br />

and because the maximum volume is reached more swiftly.<br />

In addition, compression can make a project sound better wh<strong>en</strong> played back in differ<strong>en</strong>t<br />

audio <strong>en</strong>vironm<strong>en</strong>ts. For example, the speakers of a television set or in a car typically<br />

have a narrower dynamic range than the sound system in a cinema. Compressing the<br />

overall mix can help make the sound fuller and clearer in lower-fidelity playback<br />

situations.<br />

Compressors are typically used on vocal tracks to make the singing promin<strong>en</strong>t in an<br />

overall mix. They are also commonly used on music and sound effect tracks, but they<br />

are rarely used on ambi<strong>en</strong>ce tracks.<br />

Some compressors—multiband compressors—can divide the incoming signal into<br />

differ<strong>en</strong>t frequ<strong>en</strong>cy bands and apply differ<strong>en</strong>t compression settings to each band. This<br />

helps to achieve the maximum level without introducing compression artifacts.<br />

Multiband compression is typically used on an overall mix.<br />

• Expanders: Expanders are similar to compressors, except that they raise, rather than<br />

lower, the signal wh<strong>en</strong> it exceeds the threshold. Expanders are used to add life to audio<br />

signals.<br />

• Limiters: Limiters—also called peak limiters—work in a similar way to compressors in<br />

that they reduce the audio signal wh<strong>en</strong> it exceeds a set threshold. The differ<strong>en</strong>ce is<br />

that whereas a compressor gradually lowers signal levels that exceed the threshold, a<br />

limiter quickly reduces any signal that is louder than the threshold, to the threshold<br />

level. The main use of a limiter is to prev<strong>en</strong>t clipping while preserving the maximum<br />

overall signal level.<br />

• Noise gates: Noise gates alter the signal in a way that is opposite to that used by<br />

compressors or limiters. Whereas a compressor lowers the level wh<strong>en</strong> the signal is<br />

louder than the threshold, a noise gate lowers the signal level wh<strong>en</strong>ever it falls below<br />

the threshold. Louder sounds pass through unchanged, but softer sounds, such as<br />

ambi<strong>en</strong>t noise or the decay of a sustained instrum<strong>en</strong>t, are cut off. Noise gates are oft<strong>en</strong><br />

used to eliminate low-level noise or hum from an audio signal.<br />

42 Chapter 3 Dynamics <strong>Pro</strong>cessors

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