Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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• Swap L/R (Left/Right) button: Swaps the left and right output channels. The swapping occurs after the Balance parameter in the signal path. • Mono button: Outputs the summed mono signal on both the left and right channels. Using Phase Inversion Inverting phase is useful for dealing with time alignment problems, particularly those caused by simultaneous recording with multiple microphones. When you invert the phase of a signal heard in isolation, it sounds identical to the original. When the signal is heard in conjunction with other signals, however, phase inversion may have an audible effect. For example, if you place microphones above and below a snare drum, you may find that inverting the phase of either microphone can improve (or ruin) the sound. As always, rely on your ears. Multichannel Gain Multichannel Gain allows you to independently control the gain (and phase) of each channel in a surround mix. • Master slider and field: Sets the master gain for the combined channel output. • Channel gain sliders and fields: Set the amount of gain for the respective channel. • Phase Invert buttons: Invert the phase of the selected channel. • Mute buttons: Mute the selected channel. 162 Chapter 13 Utilities and Tools
Test Oscillator Test Oscillator generates a static frequency or a sine sweep. The latter is a user-defined frequency spectrum tone sweep. The Test Oscillator is useful for tuning studio equipment and instruments. • Waveform buttons: Select the type of waveform to be used for test tone generation. • The Square Wave and Needle Pulse waveforms are available as either aliased or anti-aliased versions—the latter when used in conjunction with the Anti Aliased button. • Needle Pulse is a single needle impulse waveform. • If the Sine Sweep button is active, the fixed oscillator settings in the Waveform section are disabled. • Frequency knob and field: Determines the frequency of the oscillator (default is 1 kHz). • Sine Sweep button: Generates a sine wave sweep (of the frequency spectrum you set with the Start Freq and End Freq fields). • Time field: Sets the duration of the sine wave sweep. • Start Freq and End Freq fields: Drag vertically to define the oscillator frequency at the beginning and end of the sine sweep. • Trigger button and pop-up menu: Click the Trigger button to trigger the sine sweep. Choose the behavior of the Trigger button from the pop-up menu: • Single: Triggers the sweep once. • Continuous: Triggers the sweep indefinitely. • Level slider and field: Determines the overall output level of the Test Oscillator. Chapter 13 Utilities and Tools 163
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Soundtrack Pro 3 Effects Reference
Page 3 and 4:
Preface Chapter 1 Chapter 2 Chapter
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Chapter 12 Chapter 13 153 153 155 1
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Effect category Dynamics Processors
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Delay Effects 1 Delay effects store
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• Master section: This area conta
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Tip: If the Overview display is hid
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Delay Designer Tap Creation Suggest
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Moving and Deleting Taps in Delay D
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2 Vertically drag the bright line o
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Editing Filter Cutoff in Delay Desi
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Editing Taps in Delay Designer’s
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To reset the value of a tap Do one
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Use subtle variations of the grid p
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Stereo Delay The Stereo Delay works
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• Delay field: Sets the current d
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36 Chapter 2 Distortion Effects Bit
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38 Chapter 2 Distortion Effects •
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40 Chapter 2 Distortion Effects •
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By reducing the highest parts of th
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• Out Ceiling knob and field: Set
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Setting Suitable Compressor Envelop
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Using the Enveloper The most import
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Limiter The Limiter works much like
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Multipressor Parameters The paramet
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Setting Multipressor Compression Pa
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Using the Noise Gate In most situat
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Surround Compressor Link Section Pa
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• Threshold knob and field: Sets
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62 Chapter 4 Equalizers Channel EQ
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64 Chapter 4 Equalizers You can red
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66 Chapter 4 Equalizers Note: For b
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68 Chapter 4 Equalizers • Analyze
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70 Chapter 4 Equalizers Match EQ Pa
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Note: Smoothing has no effect on an
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The Q factor of the filter is deter
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76 Chapter 4 Equalizers High Shelvi
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78 Chapter 5 Filter Effects Getting
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80 Chapter 5 Filter Effects • Bea
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82 Chapter 5 Filter Effects AutoFil
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• Sub Energy and field: Controls
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• Spread slider and field: Determ
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Understanding MS Miking To make a M
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Metering Tools 7 You can use the Me
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Using the MultiMeter Analyzer In An
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Using the MultiMeter’s Level Mete
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Although you can insert the Surroun
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Because the Surround MultiMeter Gon
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Depending on the chosen surround fo
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• Tuning Adjustment slider and fi
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Chorus Effect The Chorus effect del
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Flanger Effect The Flanger effect w
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• 180° or -180° is equal to the
Page 112 and 113: Ringshifter The Ringshifter effect
Page 114 and 115: • In the ring modulator OSC mode,
Page 116 and 117: Modulating the Ringshifter with the
Page 118 and 119: • Chorus Int knob: Sets the inten
Page 121 and 122: Pitch Effects 9 You can use the Pit
Page 123 and 124: Vocal Transformer Parameters The Vo
Page 125 and 126: Reverb Effects 10 You can use Rever
Page 127 and 128: PlatinumVerb The PlatinumVerb allow
Page 129 and 130: PlatinumVerb Reverb Parameters The
Page 131 and 132: Space Designer Convolution Reverb S
Page 133 and 134: Working with Space Designer’s Imp
Page 135 and 136: Any mono, stereo, AIFF, SDII, or WA
Page 137 and 138: All envelopes are automatically cal
Page 139 and 140: Whereas some parameters are envelop
Page 141 and 142: Using Space Designer’s Density En
Page 143 and 144: 2 Drag the pointer horizontally ove
Page 145 and 146: Note: Activation of the filter enve
Page 147 and 148: • Spread and Xover knobs (synthes
Page 149 and 150: Using Space Designer’s Rev Vol Co
Page 151 and 152: This can be useful for eliminating
Page 153 and 154: Specialized Effects and Utilities 1
Page 155 and 156: Denoiser The Denoiser eliminates or
Page 157 and 158: Using the Denoiser The following st
Page 159 and 160: SubBass Parameters The SubBass offe
Page 161: Utilities and Tools 13 The tools fo
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