Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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Space Designer Global Parameters: Upper Section These parameters are found around the main display. Input slider Latency Compensation button Definition area Rev Vol Compensation button Output sliders • Input slider: Determines how Space Designer processes a stereo or surround input signal. For more information, see Using Space Designer’s Input Slider. • Latency Compensation button: Switches Space Designer’s internal latency compensation feature on or off. See Using Space Designer’s Latency Compensation Feature. • Definition area: Lets you switch to a less defined IR set, in order to emulate reverb diffusion and save CPU resources. See Using Space Designer’s Definition Parameter. • Rev Vol Compensation button: Engages Space Designer’s internal IR volume matching function. See Using Space Designer’s Rev Vol Compensation. • Output sliders: Adjust output levels. See Using Space Designer’s Output Sliders. Space Designer Global Parameters: Lower Section These parameters are found below the main display. • Pre-Dly knob: Sets the reverb’s predelay time, or time between the original signal and the first reflections from the reverb. See Working with Pre-Dly (Predelay) in Space Designer. • IR Start knob: Sets the playback start point in the impulse response sample. See Using Space Designer’s IR Start Parameter. 146 Chapter 11 Space Designer Convolution Reverb
• Spread and Xover knobs (synthesized IRs only): Spread adjusts the perceived width of the stereo or surround field. Xover sets the crossover frequency in Hertz. Any synthesized impulse response frequency that falls below this value will be affected by the Spread parameter. See Using Space Designer’s Spread Parameters. Using Space Designer’s Input Slider The Input slider behaves differently in stereo or surround instances. • In stereo instances, the Input slider determines how a stereo signal is processed. • In surround instances, the Input slider determines how much LFE signal is mixed with the surround channels routed into the reverb. Stereo Surround Space Designer Input Slider: Stereo Mode • Stereo setting (top of slider): The signal is processed on both channels, retaining the stereo balance of the original signal. • Mono setting (middle of slider): The signal is processed in mono. • XStereo setting (bottom of slider): The signal is inverted, with processing for the right channel occurring on the left, and vice versa. • In-between positions: A mixture of stereo to mono crossfeed signals is produced. Space Designer Input Slider: Surround Mode • Surround Max setting (top of slider): The maximum amount of LFE signal is mixed with the other surround channels. • Surround 0 setting (bottom of slider): The entire LFE signal is passed through the reverb unprocessed. • In-between positions: A mixture of LFE and surround channel information is processed. Chapter 11 Space Designer Convolution Reverb 147
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Soundtrack Pro 3 Effects Reference
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Preface Chapter 1 Chapter 2 Chapter
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Chapter 12 Chapter 13 153 153 155 1
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Effect category Dynamics Processors
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Delay Effects 1 Delay effects store
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• Master section: This area conta
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Tip: If the Overview display is hid
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Delay Designer Tap Creation Suggest
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Moving and Deleting Taps in Delay D
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2 Vertically drag the bright line o
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Editing Filter Cutoff in Delay Desi
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Editing Taps in Delay Designer’s
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To reset the value of a tap Do one
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Use subtle variations of the grid p
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Stereo Delay The Stereo Delay works
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• Delay field: Sets the current d
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36 Chapter 2 Distortion Effects Bit
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38 Chapter 2 Distortion Effects •
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40 Chapter 2 Distortion Effects •
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By reducing the highest parts of th
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• Out Ceiling knob and field: Set
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Setting Suitable Compressor Envelop
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Using the Enveloper The most import
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Limiter The Limiter works much like
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Multipressor Parameters The paramet
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Setting Multipressor Compression Pa
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Using the Noise Gate In most situat
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Surround Compressor Link Section Pa
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• Threshold knob and field: Sets
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62 Chapter 4 Equalizers Channel EQ
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64 Chapter 4 Equalizers You can red
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66 Chapter 4 Equalizers Note: For b
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68 Chapter 4 Equalizers • Analyze
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70 Chapter 4 Equalizers Match EQ Pa
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Note: Smoothing has no effect on an
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The Q factor of the filter is deter
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76 Chapter 4 Equalizers High Shelvi
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78 Chapter 5 Filter Effects Getting
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80 Chapter 5 Filter Effects • Bea
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82 Chapter 5 Filter Effects AutoFil
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• Sub Energy and field: Controls
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• Spread slider and field: Determ
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Understanding MS Miking To make a M
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Metering Tools 7 You can use the Me
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Using the MultiMeter Analyzer In An
Page 95 and 96: Using the MultiMeter’s Level Mete
Page 97 and 98: Although you can insert the Surroun
Page 99 and 100: Because the Surround MultiMeter Gon
Page 101 and 102: Depending on the chosen surround fo
Page 103: • Tuning Adjustment slider and fi
Page 106 and 107: Chorus Effect The Chorus effect del
Page 108 and 109: Flanger Effect The Flanger effect w
Page 110 and 111: • 180° or -180° is equal to the
Page 112 and 113: Ringshifter The Ringshifter effect
Page 114 and 115: • In the ring modulator OSC mode,
Page 116 and 117: Modulating the Ringshifter with the
Page 118 and 119: • Chorus Int knob: Sets the inten
Page 121 and 122: Pitch Effects 9 You can use the Pit
Page 123 and 124: Vocal Transformer Parameters The Vo
Page 125 and 126: Reverb Effects 10 You can use Rever
Page 127 and 128: PlatinumVerb The PlatinumVerb allow
Page 129 and 130: PlatinumVerb Reverb Parameters The
Page 131 and 132: Space Designer Convolution Reverb S
Page 133 and 134: Working with Space Designer’s Imp
Page 135 and 136: Any mono, stereo, AIFF, SDII, or WA
Page 137 and 138: All envelopes are automatically cal
Page 139 and 140: Whereas some parameters are envelop
Page 141 and 142: Using Space Designer’s Density En
Page 143 and 144: 2 Drag the pointer horizontally ove
Page 145: Note: Activation of the filter enve
Page 149 and 150: Using Space Designer’s Rev Vol Co
Page 151 and 152: This can be useful for eliminating
Page 153 and 154: Specialized Effects and Utilities 1
Page 155 and 156: Denoiser The Denoiser eliminates or
Page 157 and 158: Using the Denoiser The following st
Page 159 and 160: SubBass Parameters The SubBass offe
Page 161 and 162: Utilities and Tools 13 The tools fo
Page 163: Test Oscillator Test Oscillator gen
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