Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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Getting to Know the Space Designer Interface The Space Designer interface consists of four main sections: Impulse response parameters Filter parameters Envelope and EQ parameters Parameter bar Main display Button bar Global parameters Global parameters • Impulse response parameters: Used to load, save, or manipulate (recorded or synthesized) impulse response files. The chosen IR file determines what Space Designer will use to convolve with your audio signal. See Working with Space Designer’s Impulse Response Parameters. • Envelope and EQ parameters: Use the view buttons in the button bar to switch the main display and parameter bar between envelope and EQ views. Use the main display to edit the displayed parameters graphically, and use the parameter bar to edit them numerically. See Working with Space Designer’s Envelope and EQ Parameters. • Filter parameters: Used to modify the timbre of the Space Designer reverb. You can choose from several filter modes, adjust resonance, and also adjust the filter envelope dynamically over time. See Working with Space Designer’s Filter. • Global parameters: After your IR is loaded, these parameters determine how Space Designer operates on the overall signal and IR. Included are input and output parameters, delay and volume compensation, predelay, and so on. See Working with Space Designer’s Global Parameters. 132 Chapter 11 Space Designer Convolution Reverb
Working with Space Designer’s Impulse Response Parameters Space Designer can use either recorded impulse response files or its own synthesized impulse responses. The circular area to the left of the main display contains the impulse response parameters. These are used to determine the Impulse Response mode (IR Sample mode or Synthesized IR mode), load or create impulse responses, and set the sample rate and length. • IR Sample button and IR Sample menu: Click the IR Sample button to switch to IR Sample mode. In IR Sample mode, an impulse response sample is used to generate reverberation. Click the down arrow next to the IR Sample button to open the IR Sample pop-up menu, in which you can load and manipulate impulse response samples. See Working in Space Designer’s IR Sample Mode. • “sample rate” slider and “preserve length” button: The “sample rate” slider determines the sample rate of the loaded impulse response. Activate the “preserve length” button to preserve the length of the impulse response when changing the sample rate. See Setting Space Designer’s IR Sample Rate. • Length field: Adjusts the length of the impulse response. See Setting Impulse Response Lengths in Space Designer. • Synthesized IR button: Click to activate Synthesized IR mode. A new synthesized impulse response is generated. This is derived from the values of the Length, envelope, Filter, EQ, and Spread parameters. See Working in Space Designer’s Synthesized IR Mode. Note: You may freely switch between a loaded impulse response sample and a synthesized impulse response without losing the settings of the other. For more information, see Working in Space Designer’s Synthesized IR Mode. Chapter 11 Space Designer Convolution Reverb 133
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Soundtrack Pro 3 Effects Reference
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Preface Chapter 1 Chapter 2 Chapter
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Chapter 12 Chapter 13 153 153 155 1
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Effect category Dynamics Processors
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Delay Effects 1 Delay effects store
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• Master section: This area conta
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Tip: If the Overview display is hid
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Delay Designer Tap Creation Suggest
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Moving and Deleting Taps in Delay D
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2 Vertically drag the bright line o
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Editing Filter Cutoff in Delay Desi
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Editing Taps in Delay Designer’s
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To reset the value of a tap Do one
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Use subtle variations of the grid p
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Stereo Delay The Stereo Delay works
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• Delay field: Sets the current d
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36 Chapter 2 Distortion Effects Bit
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38 Chapter 2 Distortion Effects •
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40 Chapter 2 Distortion Effects •
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By reducing the highest parts of th
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• Out Ceiling knob and field: Set
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Setting Suitable Compressor Envelop
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Using the Enveloper The most import
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Limiter The Limiter works much like
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Multipressor Parameters The paramet
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Setting Multipressor Compression Pa
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Using the Noise Gate In most situat
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Surround Compressor Link Section Pa
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• Threshold knob and field: Sets
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62 Chapter 4 Equalizers Channel EQ
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64 Chapter 4 Equalizers You can red
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66 Chapter 4 Equalizers Note: For b
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68 Chapter 4 Equalizers • Analyze
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70 Chapter 4 Equalizers Match EQ Pa
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Note: Smoothing has no effect on an
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The Q factor of the filter is deter
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76 Chapter 4 Equalizers High Shelvi
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78 Chapter 5 Filter Effects Getting
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80 Chapter 5 Filter Effects • Bea
Page 82 and 83: 82 Chapter 5 Filter Effects AutoFil
Page 84 and 85: • Sub Energy and field: Controls
Page 86 and 87: • Spread slider and field: Determ
Page 88 and 89: Understanding MS Miking To make a M
Page 91 and 92: Metering Tools 7 You can use the Me
Page 93 and 94: Using the MultiMeter Analyzer In An
Page 95 and 96: Using the MultiMeter’s Level Mete
Page 97 and 98: Although you can insert the Surroun
Page 99 and 100: Because the Surround MultiMeter Gon
Page 101 and 102: Depending on the chosen surround fo
Page 103: • Tuning Adjustment slider and fi
Page 106 and 107: Chorus Effect The Chorus effect del
Page 108 and 109: Flanger Effect The Flanger effect w
Page 110 and 111: • 180° or -180° is equal to the
Page 112 and 113: Ringshifter The Ringshifter effect
Page 114 and 115: • In the ring modulator OSC mode,
Page 116 and 117: Modulating the Ringshifter with the
Page 118 and 119: • Chorus Int knob: Sets the inten
Page 121 and 122: Pitch Effects 9 You can use the Pit
Page 123 and 124: Vocal Transformer Parameters The Vo
Page 125 and 126: Reverb Effects 10 You can use Rever
Page 127 and 128: PlatinumVerb The PlatinumVerb allow
Page 129 and 130: PlatinumVerb Reverb Parameters The
Page 131: Space Designer Convolution Reverb S
Page 135 and 136: Any mono, stereo, AIFF, SDII, or WA
Page 137 and 138: All envelopes are automatically cal
Page 139 and 140: Whereas some parameters are envelop
Page 141 and 142: Using Space Designer’s Density En
Page 143 and 144: 2 Drag the pointer horizontally ove
Page 145 and 146: Note: Activation of the filter enve
Page 147 and 148: • Spread and Xover knobs (synthes
Page 149 and 150: Using Space Designer’s Rev Vol Co
Page 151 and 152: This can be useful for eliminating
Page 153 and 154: Specialized Effects and Utilities 1
Page 155 and 156: Denoiser The Denoiser eliminates or
Page 157 and 158: Using the Denoiser The following st
Page 159 and 160: SubBass Parameters The SubBass offe
Page 161 and 162: Utilities and Tools 13 The tools fo
Page 163: Test Oscillator Test Oscillator gen
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