Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple
Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple
Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple
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Filter <strong>Effects</strong> 5<br />
Filters are used to emphasize or suppress frequ<strong>en</strong>cies in an audio signal, resulting in a<br />
change to the tonal color of the audio.<br />
<strong>Soundtrack</strong> <strong>Pro</strong> contains a variety of advanced filter-based effects that you can use to<br />
creatively modify your audio. These effects are most oft<strong>en</strong> used to radically alter the<br />
frequ<strong>en</strong>cy spectrum of a sound or mix.<br />
Note: Equalizers (EQs) are special types of filters. Typically, they are not used as “effects”<br />
per se, but as tools to refine the frequ<strong>en</strong>cy spectrum of a sound or mix.<br />
This chapter covers the following:<br />
• AutoFilter (p. 77)<br />
• <strong>Soundtrack</strong> <strong>Pro</strong> Autofilter (p. 82)<br />
• Spectral Gate (p. 82)<br />
AutoFilter<br />
The AutoFilter is a versatile filter effect with several unique features. You can use it to<br />
create classic, analog-style synthesizer effects, or as a tool for creative sound design.<br />
The effect works by analyzing incoming signal levels through use of a threshold parameter.<br />
Any signal level that exceeds the threshold is used as a trigger for a synthesizer-style<br />
ADSR <strong>en</strong>velope or an LFO (low frequ<strong>en</strong>cy oscillator). These control sources are used to<br />
dynamically modulate the filter cutoff.<br />
The AutoFilter allows you to choose betwe<strong>en</strong> differ<strong>en</strong>t filter types and slopes, control the<br />
amount of resonance, add distortion for more aggressive sounds, and mix the original,<br />
dry signal with the processed signal.<br />
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