Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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96 Chapter 7 Metering Tools Using the MultiMeter Peak Parameters The MultiMeter Peak parameters are used to enable/disable the peak hold function and to reset the peak segments of all meter types. You can also determine a temporary peak hold duration. • Hold button: Activates peak hold for all metering tools in the MultiMeter, as follows: • Analyzer: A small yellow segment above each 1/3 octave level bar indicates the most recent peak level. • Goniometer: All illuminated pixels are held during a peak hold. • Correlation Meter: The horizontal area around the white correlation indicator denotes phase correlation deviations in real time, in both directions. A vertical red line to the left of the correlation indicator shows the maximum negative phase deviation value. You can reset this line by clicking it during playback. • Level Meter: A small yellow segment above each stereo level bar indicates the most recent peak level. • Hold Time pop-up menu: When peak hold is active, sets the hold time for all metering tools to 2, 4, 5, or 6 seconds—or infinite. • Reset button: Click to reset the peak hold segments of all metering tools. Surround MultiMeter The surround version of the MultiMeter is specifically designed for analysis and metering of multichannel surround files. You can view either the Analyzer, Goniometer, or Correlation Meter results in the main display area. Use the controls on the left side of the interface to switch the view and set other MultiMeter parameters. The (Peak/RMS) Level Meter is visible on the right.
Although you can insert the Surround MultiMeter directly into any channel strip, it is more commonly used in the master channel strip of the host application—when you are working on the overall surround mix. Analyzer parameters Peak parameters Goniometer parameters Balance/Correlation button Main display (Goniometer shown) Using the Surround MultiMeter Analyzer In Analyzer mode, the MultiMeter’s main display shows the frequency spectrum of the input signal as 31 independent frequency bands. Each frequency band represents one-third of an octave. The Analyzer parameters are used to activate Analyzer mode, and to customize the way that the incoming signal is shown in the main display. Analyzer parameters Scale • Analyzer button: Switches the main display to Analyzer mode. Chapter 7 Metering Tools 97
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Soundtrack Pro 3 Effects Reference
Page 3 and 4:
Preface Chapter 1 Chapter 2 Chapter
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Chapter 12 Chapter 13 153 153 155 1
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Effect category Dynamics Processors
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Delay Effects 1 Delay effects store
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• Master section: This area conta
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Tip: If the Overview display is hid
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Delay Designer Tap Creation Suggest
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Moving and Deleting Taps in Delay D
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2 Vertically drag the bright line o
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Editing Filter Cutoff in Delay Desi
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Editing Taps in Delay Designer’s
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To reset the value of a tap Do one
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Use subtle variations of the grid p
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Stereo Delay The Stereo Delay works
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• Delay field: Sets the current d
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36 Chapter 2 Distortion Effects Bit
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38 Chapter 2 Distortion Effects •
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40 Chapter 2 Distortion Effects •
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By reducing the highest parts of th
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• Out Ceiling knob and field: Set
Page 46 and 47: Setting Suitable Compressor Envelop
Page 48 and 49: Using the Enveloper The most import
Page 50 and 51: Limiter The Limiter works much like
Page 52 and 53: Multipressor Parameters The paramet
Page 54 and 55: Setting Multipressor Compression Pa
Page 56 and 57: Using the Noise Gate In most situat
Page 58 and 59: Surround Compressor Link Section Pa
Page 60 and 61: • Threshold knob and field: Sets
Page 62 and 63: 62 Chapter 4 Equalizers Channel EQ
Page 64 and 65: 64 Chapter 4 Equalizers You can red
Page 66 and 67: 66 Chapter 4 Equalizers Note: For b
Page 68 and 69: 68 Chapter 4 Equalizers • Analyze
Page 70 and 71: 70 Chapter 4 Equalizers Match EQ Pa
Page 72 and 73: Note: Smoothing has no effect on an
Page 74 and 75: The Q factor of the filter is deter
Page 76 and 77: 76 Chapter 4 Equalizers High Shelvi
Page 78 and 79: 78 Chapter 5 Filter Effects Getting
Page 80 and 81: 80 Chapter 5 Filter Effects • Bea
Page 82 and 83: 82 Chapter 5 Filter Effects AutoFil
Page 84 and 85: • Sub Energy and field: Controls
Page 86 and 87: • Spread slider and field: Determ
Page 88 and 89: Understanding MS Miking To make a M
Page 91 and 92: Metering Tools 7 You can use the Me
Page 93 and 94: Using the MultiMeter Analyzer In An
Page 95: Using the MultiMeter’s Level Mete
Page 99 and 100: Because the Surround MultiMeter Gon
Page 101 and 102: Depending on the chosen surround fo
Page 103: • Tuning Adjustment slider and fi
Page 106 and 107: Chorus Effect The Chorus effect del
Page 108 and 109: Flanger Effect The Flanger effect w
Page 110 and 111: • 180° or -180° is equal to the
Page 112 and 113: Ringshifter The Ringshifter effect
Page 114 and 115: • In the ring modulator OSC mode,
Page 116 and 117: Modulating the Ringshifter with the
Page 118 and 119: • Chorus Int knob: Sets the inten
Page 121 and 122: Pitch Effects 9 You can use the Pit
Page 123 and 124: Vocal Transformer Parameters The Vo
Page 125 and 126: Reverb Effects 10 You can use Rever
Page 127 and 128: PlatinumVerb The PlatinumVerb allow
Page 129 and 130: PlatinumVerb Reverb Parameters The
Page 131 and 132: Space Designer Convolution Reverb S
Page 133 and 134: Working with Space Designer’s Imp
Page 135 and 136: Any mono, stereo, AIFF, SDII, or WA
Page 137 and 138: All envelopes are automatically cal
Page 139 and 140: Whereas some parameters are envelop
Page 141 and 142: Using Space Designer’s Density En
Page 143 and 144: 2 Drag the pointer horizontally ove
Page 145 and 146: Note: Activation of the filter enve
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• Spread and Xover knobs (synthes
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Using Space Designer’s Rev Vol Co
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This can be useful for eliminating
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Specialized Effects and Utilities 1
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Denoiser The Denoiser eliminates or
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Using the Denoiser The following st
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SubBass Parameters The SubBass offe
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Utilities and Tools 13 The tools fo
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Test Oscillator Test Oscillator gen
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