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Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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Modulation <strong>Effects</strong> 8<br />

Modulation effects are used to add motion and depth to your sound.<br />

<strong>Effects</strong> such as chorus, flanging, and phasing are known as modulation effects because<br />

they modulate the timing of the incoming signal. Typically, the incoming signal is delayed<br />

by a few milliseconds and th<strong>en</strong> an LFO is used to modulate either the delay time, the<br />

delayed signal, or both.<br />

A low frequ<strong>en</strong>cy oscillator (LFO) is much like the sound-g<strong>en</strong>erating oscillators in<br />

synthesizers, but the frequ<strong>en</strong>cies g<strong>en</strong>erated by an LFO are so low that they can’t be heard.<br />

Therefore, they are used only for modulation purposes. LFO parameters include speed<br />

(or frequ<strong>en</strong>cy) and depth—also called int<strong>en</strong>sity—controls.<br />

You can also control the ratio of the affected (wet) signal and the original (dry) signal.<br />

Some modulation effects include feedback parameters, which add part of the effect’s<br />

output back into the effect input.<br />

Other modulation effects involve pitch. The most basic type of pitch modulation effect<br />

is vibrato. It uses an LFO to modulate the frequ<strong>en</strong>cy of the sound. Unlike other pitch<br />

modulation effects, vibrato alters only the delayed signal.<br />

More complex <strong>Soundtrack</strong> <strong>Pro</strong> modulation effects, such as Ensemble, mix several delayed<br />

signals with the original signal.<br />

This chapter covers the following:<br />

• Chorus Effect (p. 106)<br />

• Ensemble Effect (p. 106)<br />

• Flanger Effect (p. 108)<br />

• Modulation Delay (p. 108)<br />

• Phaser Effect (p. 110)<br />

• Ringshifter (p. 112)<br />

• Scanner Vibrato (p. 117)<br />

• Tremolo Effect (p. 118)<br />

105

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