Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple
Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple
Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple
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Modulation <strong>Effects</strong> 8<br />
Modulation effects are used to add motion and depth to your sound.<br />
<strong>Effects</strong> such as chorus, flanging, and phasing are known as modulation effects because<br />
they modulate the timing of the incoming signal. Typically, the incoming signal is delayed<br />
by a few milliseconds and th<strong>en</strong> an LFO is used to modulate either the delay time, the<br />
delayed signal, or both.<br />
A low frequ<strong>en</strong>cy oscillator (LFO) is much like the sound-g<strong>en</strong>erating oscillators in<br />
synthesizers, but the frequ<strong>en</strong>cies g<strong>en</strong>erated by an LFO are so low that they can’t be heard.<br />
Therefore, they are used only for modulation purposes. LFO parameters include speed<br />
(or frequ<strong>en</strong>cy) and depth—also called int<strong>en</strong>sity—controls.<br />
You can also control the ratio of the affected (wet) signal and the original (dry) signal.<br />
Some modulation effects include feedback parameters, which add part of the effect’s<br />
output back into the effect input.<br />
Other modulation effects involve pitch. The most basic type of pitch modulation effect<br />
is vibrato. It uses an LFO to modulate the frequ<strong>en</strong>cy of the sound. Unlike other pitch<br />
modulation effects, vibrato alters only the delayed signal.<br />
More complex <strong>Soundtrack</strong> <strong>Pro</strong> modulation effects, such as Ensemble, mix several delayed<br />
signals with the original signal.<br />
This chapter covers the following:<br />
• Chorus Effect (p. 106)<br />
• Ensemble Effect (p. 106)<br />
• Flanger Effect (p. 108)<br />
• Modulation Delay (p. 108)<br />
• Phaser Effect (p. 110)<br />
• Ringshifter (p. 112)<br />
• Scanner Vibrato (p. 117)<br />
• Tremolo Effect (p. 118)<br />
105