Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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70 Chapter 4 Equalizers Match EQ Parameters The Match EQ offers the following parameters. Match EQ Analyzer Parameters • Analyzer button: Turns the Analyzer function on or off. • Pre/Post menu: Determines whether the Analyzer looks at the signal before (Pre) or after (Post) the filter curve is applied. • View pop-up menu: Sets the information shown in the graphical display. Choices are: • Automatic: Displays information for the current function, as determined by the active button below the graphical display. • Template: Displays the learned frequency curve template for the source file. This is shown in red. • Current Material: Displays the frequency curve for the audio learned as current material. This is shown in green. • Filter: Displays the filter curve created by matching the template and the current material. This is shown in yellow. • View button: Determines if separate curves are displayed by the Analyzer (L&R for stereo, All Cha for surround) or the summed maximum level is shown (LR Max for stereo, Cha Max for surround). Note: The View parameters are disabled when using the effect on a mono channel. • Select buttons: Determine if changes made to the filter curve (created by matching the template with the current material) are applied to the left channel (L), the right channel (R), or both channels (L+R). Note: The Select parameters are disabled when using the effect on a mono channel.
• Select pop-up menu (Surround instances only): The Select buttons are replaced by the Select pop-up menu, enabling you to choose an individual channel or all channels. Changes to the filter curve will affect the chosen channel when a single channel is selected. • Channel Link slider and field: Refines the settings made with the Select buttons or Select pop-up menu. • When set to 100%, all channels (L and R for stereo, or all surround channels) are represented by a common EQ curve. • When set to 0%, a separate filter curve is displayed for each channel. Use the Select buttons or Select pop-up menu to choose each channel. • Settings between 0 and 100% allow you to blend these values with your filter curve changes for each channel. This results in a hybrid curve. Note: The Channel Link parameters are disabled when using the effect on a mono channel. Match EQ Display, Learn, and Match Parameters • Graphical display: Displays the filter curve created by matching the template to the current material. You can edit the filter curve (see Editing the Match EQ Filter Curve). • Template Learn button: Click to start the process of learning the frequency spectrum of the source file. Click again to stop the learning process. • Current Material Learn button: Click to start the process of learning the frequency spectrum of the project you want to match the source file. Click again to stop the learning process. • Current Material Match button: Matches the frequency spectrum of the current material to that of the template (source) file. Match EQ Processing Parameters • Phase button: Determines whether processing alters (Minimal) or does not alter the signal phase (Linear). The Minimal setting results in lower latency. • Apply slider and field: Determines the impact of the filter curve on the signal. • Values above 100% magnify the effect. • Values below 100% reduce it. • Negative values (-1% to -100%) invert the peaks and troughs in the filter curve. • A value of 100% has no impact on the filter curve. • Smoothing slider and field: Sets the amount of smoothing for the filter curve, using a constant bandwidth set in semitone steps. A value of 0.0 has no impact on the filter curve. A value of 1.0 means a smoothing bandwidth of one semitone. A value of 4.0 means a smoothing bandwidth of four semitones (a major third). A value of 12.0 means a smoothing bandwidth of one octave, and so on. Chapter 4 Equalizers 71
Page 1 and 2:
Soundtrack Pro 3 Effects Reference
Page 3 and 4:
Preface Chapter 1 Chapter 2 Chapter
Page 5:
Chapter 12 Chapter 13 153 153 155 1
Page 8 and 9:
Effect category Dynamics Processors
Page 11 and 12:
Delay Effects 1 Delay effects store
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• Master section: This area conta
Page 15 and 16:
Tip: If the Overview display is hid
Page 17 and 18:
Delay Designer Tap Creation Suggest
Page 19 and 20: Moving and Deleting Taps in Delay D
Page 21 and 22: 2 Vertically drag the bright line o
Page 23 and 24: Editing Filter Cutoff in Delay Desi
Page 25 and 26: Editing Taps in Delay Designer’s
Page 27 and 28: To reset the value of a tap Do one
Page 29 and 30: Use subtle variations of the grid p
Page 31 and 32: Stereo Delay The Stereo Delay works
Page 33: • Delay field: Sets the current d
Page 36 and 37: 36 Chapter 2 Distortion Effects Bit
Page 38 and 39: 38 Chapter 2 Distortion Effects •
Page 40 and 41: 40 Chapter 2 Distortion Effects •
Page 42 and 43: By reducing the highest parts of th
Page 44 and 45: • Out Ceiling knob and field: Set
Page 46 and 47: Setting Suitable Compressor Envelop
Page 48 and 49: Using the Enveloper The most import
Page 50 and 51: Limiter The Limiter works much like
Page 52 and 53: Multipressor Parameters The paramet
Page 54 and 55: Setting Multipressor Compression Pa
Page 56 and 57: Using the Noise Gate In most situat
Page 58 and 59: Surround Compressor Link Section Pa
Page 60 and 61: • Threshold knob and field: Sets
Page 62 and 63: 62 Chapter 4 Equalizers Channel EQ
Page 64 and 65: 64 Chapter 4 Equalizers You can red
Page 66 and 67: 66 Chapter 4 Equalizers Note: For b
Page 68 and 69: 68 Chapter 4 Equalizers • Analyze
Page 72 and 73: Note: Smoothing has no effect on an
Page 74 and 75: The Q factor of the filter is deter
Page 76 and 77: 76 Chapter 4 Equalizers High Shelvi
Page 78 and 79: 78 Chapter 5 Filter Effects Getting
Page 80 and 81: 80 Chapter 5 Filter Effects • Bea
Page 82 and 83: 82 Chapter 5 Filter Effects AutoFil
Page 84 and 85: • Sub Energy and field: Controls
Page 86 and 87: • Spread slider and field: Determ
Page 88 and 89: Understanding MS Miking To make a M
Page 91 and 92: Metering Tools 7 You can use the Me
Page 93 and 94: Using the MultiMeter Analyzer In An
Page 95 and 96: Using the MultiMeter’s Level Mete
Page 97 and 98: Although you can insert the Surroun
Page 99 and 100: Because the Surround MultiMeter Gon
Page 101 and 102: Depending on the chosen surround fo
Page 103: • Tuning Adjustment slider and fi
Page 106 and 107: Chorus Effect The Chorus effect del
Page 108 and 109: Flanger Effect The Flanger effect w
Page 110 and 111: • 180° or -180° is equal to the
Page 112 and 113: Ringshifter The Ringshifter effect
Page 114 and 115: • In the ring modulator OSC mode,
Page 116 and 117: Modulating the Ringshifter with the
Page 118 and 119: • Chorus Int knob: Sets the inten
Page 121 and 122:
Pitch Effects 9 You can use the Pit
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Vocal Transformer Parameters The Vo
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Reverb Effects 10 You can use Rever
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PlatinumVerb The PlatinumVerb allow
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PlatinumVerb Reverb Parameters The
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Space Designer Convolution Reverb S
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Working with Space Designer’s Imp
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Any mono, stereo, AIFF, SDII, or WA
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All envelopes are automatically cal
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Whereas some parameters are envelop
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Using Space Designer’s Density En
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2 Drag the pointer horizontally ove
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Note: Activation of the filter enve
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• Spread and Xover knobs (synthes
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Using Space Designer’s Rev Vol Co
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This can be useful for eliminating
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Specialized Effects and Utilities 1
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Denoiser The Denoiser eliminates or
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Using the Denoiser The following st
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SubBass Parameters The SubBass offe
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Utilities and Tools 13 The tools fo
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Test Oscillator Test Oscillator gen
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