Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple
Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple
Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple
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• Harmonics knob and field: Sets the ratio betwe<strong>en</strong> the effect and original signals,<br />
expressed as a perc<strong>en</strong>tage. If the Input button is turned off, this parameter has no<br />
effect.<br />
Note: In most cases, higher Frequ<strong>en</strong>cy and Harmonics values are preferable, because<br />
human ears cannot easily distinguish betwe<strong>en</strong> the artificial and original high frequ<strong>en</strong>cies.<br />
• Color 1 and Color 2 buttons: Color 1 g<strong>en</strong>erates a less d<strong>en</strong>se harmonic distortion spectrum.<br />
Color 2 g<strong>en</strong>erates a more int<strong>en</strong>se harmonic distortion. Color 2 also introduces more<br />
(unwanted) intermodulation distortions.<br />
SubBass<br />
The SubBass plug-in g<strong>en</strong>erates frequ<strong>en</strong>cies below those of the original signal, resulting<br />
in artificial bass cont<strong>en</strong>t.<br />
The simplest use for the SubBass is as an octave divider, similar to octaver effect pedals<br />
for electric bass guitars. Whereas such pedals can only process a monophonic input sound<br />
source of clearly defined pitch, SubBass can be used with complex summed signals as<br />
well.<br />
SubBass creates two bass signals, derived from two separate portions of the incoming<br />
signal. These are defined with the High and Low parameters.<br />
Warning: Using SubBass can produce extremely loud output signals. Choose moderate<br />
monitoring levels, and only use loudspeakers that are actually capable of reproducing<br />
the very low frequ<strong>en</strong>cies produced. Never try to force a loudspeaker to output these<br />
frequ<strong>en</strong>cy bands with an EQ.<br />
158 Chapter 12 Specialized <strong>Effects</strong> and Utilities