Soundtrack Pro 3 Effects Reference (en).pdf - Help Library - Apple

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Using Delay Designer’s Tap Toggle Buttons Each tap has its own toggle button in the Toggle bar. These buttons offer you a quick way to graphically activate and deactivate parameters. The specific parameter being toggled by the toggle buttons depends on the current view button selection: • Cutoff view: Toggle buttons turn the filter on or off. • Reso view: Toggle buttons switch the filter slope between 6 dB and 12 dB. • Pitch view: Toggle buttons switch pitch transposition on or off. • Pan view: Toggle buttons switch between the Flip modes. • Level view: Toggle buttons mute or unmute the tap. To temporarily switch the mute state of taps µ Command-Option-click a toggle button, regardless of the current view mode. When you release the Command and Option keys, the toggle buttons return to their standard functionality in the active View mode. Note: The first time you edit a filter or pitch transpose parameter, the respective module automatically turns on. This saves you the effort of manually turning on the filter or pitch transposition module before editing. After you manually turn either of these modules off, however, you need to manually switch it back on. Editing Parameters in Delay Designer’s Tap Display You can graphically edit any tap parameter that is represented as a vertical line in Delay Designer’s Tap display. The Tap display is ideal if you want to edit the parameters of one tap relative to other taps, or when you need to edit multiple taps simultaneously. To edit a tap parameter in the Tap display 1 Click the view button of the parameter you want to edit. 20 Chapter 1 Delay Effects
2 Vertically drag the bright line of the tap you wish to edit (or one of the selected taps, if multiple taps are selected). If you have chosen multiple taps, the values of all selected taps will be changed relative to each other. Note: The method outlined above is slightly different for the Filter Cutoff and Pan parameters. See Editing Filter Cutoff in Delay Designer’s Tap Display and Editing Pan in Delay Designer’s Tap Display. To set the values of multiple taps µ Command-drag horizontally and vertically across several taps in the Tap display. Parameter values change to match the mouse position as you drag across the taps. Command-dragging across several taps allows you to draw value curves, much like using a pencil to create a curved line on a piece of paper. Aligning Delay Designer Tap Values You can use Delay Designer’s Tap display to graphically align tap parameter values that are represented as vertical lines. Chapter 1 Delay Effects 21
Page 1 and 2: Soundtrack Pro 3 Effects Reference
Page 3 and 4: Preface Chapter 1 Chapter 2 Chapter
Page 5: Chapter 12 Chapter 13 153 153 155 1
Page 8 and 9: Effect category Dynamics Processors
Page 11 and 12: Delay Effects 1 Delay effects store
Page 13 and 14: • Master section: This area conta
Page 15 and 16: Tip: If the Overview display is hid
Page 17 and 18: Delay Designer Tap Creation Suggest
Page 19: Moving and Deleting Taps in Delay D
Page 23 and 24: Editing Filter Cutoff in Delay Desi
Page 25 and 26: Editing Taps in Delay Designer’s
Page 27 and 28: To reset the value of a tap Do one
Page 29 and 30: Use subtle variations of the grid p
Page 31 and 32: Stereo Delay The Stereo Delay works
Page 33: • Delay field: Sets the current d
Page 36 and 37: 36 Chapter 2 Distortion Effects Bit
Page 38 and 39: 38 Chapter 2 Distortion Effects •
Page 40 and 41: 40 Chapter 2 Distortion Effects •
Page 42 and 43: By reducing the highest parts of th
Page 44 and 45: • Out Ceiling knob and field: Set
Page 46 and 47: Setting Suitable Compressor Envelop
Page 48 and 49: Using the Enveloper The most import
Page 50 and 51: Limiter The Limiter works much like
Page 52 and 53: Multipressor Parameters The paramet
Page 54 and 55: Setting Multipressor Compression Pa
Page 56 and 57: Using the Noise Gate In most situat
Page 58 and 59: Surround Compressor Link Section Pa
Page 60 and 61: • Threshold knob and field: Sets
Page 62 and 63: 62 Chapter 4 Equalizers Channel EQ
Page 64 and 65: 64 Chapter 4 Equalizers You can red
Page 66 and 67: 66 Chapter 4 Equalizers Note: For b
Page 68 and 69: 68 Chapter 4 Equalizers • Analyze
Page 70 and 71:
70 Chapter 4 Equalizers Match EQ Pa
Page 72 and 73:
Note: Smoothing has no effect on an
Page 74 and 75:
The Q factor of the filter is deter
Page 76 and 77:
76 Chapter 4 Equalizers High Shelvi
Page 78 and 79:
78 Chapter 5 Filter Effects Getting
Page 80 and 81:
80 Chapter 5 Filter Effects • Bea
Page 82 and 83:
82 Chapter 5 Filter Effects AutoFil
Page 84 and 85:
• Sub Energy and field: Controls
Page 86 and 87:
• Spread slider and field: Determ
Page 88 and 89:
Understanding MS Miking To make a M
Page 91 and 92:
Metering Tools 7 You can use the Me
Page 93 and 94:
Using the MultiMeter Analyzer In An
Page 95 and 96:
Using the MultiMeter’s Level Mete
Page 97 and 98:
Although you can insert the Surroun
Page 99 and 100:
Because the Surround MultiMeter Gon
Page 101 and 102:
Depending on the chosen surround fo
Page 103:
• Tuning Adjustment slider and fi
Page 106 and 107:
Chorus Effect The Chorus effect del
Page 108 and 109:
Flanger Effect The Flanger effect w
Page 110 and 111:
• 180° or -180° is equal to the
Page 112 and 113:
Ringshifter The Ringshifter effect
Page 114 and 115:
• In the ring modulator OSC mode,
Page 116 and 117:
Modulating the Ringshifter with the
Page 118 and 119:
• Chorus Int knob: Sets the inten
Page 121 and 122:
Pitch Effects 9 You can use the Pit
Page 123 and 124:
Vocal Transformer Parameters The Vo
Page 125 and 126:
Reverb Effects 10 You can use Rever
Page 127 and 128:
PlatinumVerb The PlatinumVerb allow
Page 129 and 130:
PlatinumVerb Reverb Parameters The
Page 131 and 132:
Space Designer Convolution Reverb S
Page 133 and 134:
Working with Space Designer’s Imp
Page 135 and 136:
Any mono, stereo, AIFF, SDII, or WA
Page 137 and 138:
All envelopes are automatically cal
Page 139 and 140:
Whereas some parameters are envelop
Page 141 and 142:
Using Space Designer’s Density En
Page 143 and 144:
2 Drag the pointer horizontally ove
Page 145 and 146:
Note: Activation of the filter enve
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• Spread and Xover knobs (synthes
Page 149 and 150:
Using Space Designer’s Rev Vol Co
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This can be useful for eliminating
Page 153 and 154:
Specialized Effects and Utilities 1
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Denoiser The Denoiser eliminates or
Page 157 and 158:
Using the Denoiser The following st
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SubBass Parameters The SubBass offe
Page 161 and 162:
Utilities and Tools 13 The tools fo
Page 163:
Test Oscillator Test Oscillator gen
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