Plains Indian Studies - Smithsonian Institution Libraries
Plains Indian Studies - Smithsonian Institution Libraries
Plains Indian Studies - Smithsonian Institution Libraries
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NUMBER 30 109<br />
On the other side of the ledger, the White men<br />
had a fascination for the <strong>Indian</strong>'s suit of snowy<br />
buckskin garnished with beads and quills. Americans<br />
and Canadians who happened through <strong>Indian</strong><br />
country readily bought coats, jackets, gloves,<br />
and moccasins. True <strong>Indian</strong> clothing on the back<br />
of a White man was, however, rare. Meriwether<br />
Lewis posed for his portrait in authentic Nez<br />
Perce dress. George Custer did likewise for a<br />
photographer at Fort Abraham Lincoln. Lt. Stephen<br />
Mills, commander of a company of Chiricahua<br />
scouts, donned genuine Apache shirt,<br />
breech cloth and tall boots to help establish his<br />
affinity, and Frank Gushing of the Bureau of<br />
American Ethnology (Figure 9) was often photographed<br />
in <strong>Indian</strong> clothing as he added to the<br />
romance of anthropology. Generally, however,<br />
the White customer wanted something dashing,<br />
elegant, and well-fitting, but still "frontiersy."<br />
The result was a garment following the current<br />
White pattern, even to pockets and lining, and<br />
then handsomely decorated by <strong>Indian</strong> methods.<br />
A survey of specimens in museum collections<br />
indicates that the buckskin garments for White<br />
consumption generally followed contemporary<br />
White fashions (Figure 10). Thus, coats made<br />
before the Civil War have long, full, knee-length<br />
skirts and fitted waists similar to the frock coat of<br />
the period. Three early collar styles were: the<br />
regular suitcoat type with lapels, a shirt-type<br />
collar with rounded points (both of which copied<br />
civilian fashion), and a straight stand-up collar<br />
style, which probably was derived from military<br />
coats.<br />
After the Civil War, vests became popular. The<br />
jackets became shorter and buckskin shirts (actually<br />
light jackets) came into vogue. The regular<br />
shirt collar and shirt yoke are frequently encountered<br />
as are the bibbed "fireman's shirt" popular<br />
at that time. Some coats during this period have<br />
shoulder-length capes, which may be an adaptation<br />
of the eastern hunting shirt design, or more<br />
probably, an inspiration from the cape used on<br />
the army overcoat.<br />
The post-Civil War outfits exhibit other interesting<br />
design characteristics. Many show exten<br />
sive use of pinking irons and shears to decorate<br />
edges. Pockets are frequently sewn on the outside,<br />
using the shape as decoration. Instead of fringe<br />
being located as a welt in seams, it appears on<br />
yokes, around collars, sleeves, pockets, and cuffs,<br />
a vast increase over its use in the earlier days.<br />
Brass military buttons are also very common.<br />
Some frontiersmen swore by buckskins, while<br />
others swore at them. Rudolph F. Kurz felt that<br />
leather was far superior to cloth for roughing it.<br />
He found it "more serviceable for life in the bush<br />
and on the prairie and . . . better protection<br />
against sun and mosquitoes when one is on horseback"<br />
(Hewitt, 1937:134).<br />
To the contrary, the English sportsman John<br />
Keast Lord who spent twenty years, beginning in<br />
the 1840s, on the <strong>Plains</strong> and in the Rockies, said:<br />
"This style of dress is decidely showy and picturesque,<br />
and having said so much of it, I have<br />
exhausted everything that it is possible to say in<br />
its praise." He stated that buckskin was heavy<br />
and not warm. When wet it was like "damp<br />
tripe," and drying it was laborious with the stiff<br />
result being akin to armor. Buckskin was impossible<br />
to clean, and shrinkage always occurred,<br />
even from perspiration. The leather "steals away<br />
from wrists and feet"; pants became knee<br />
breeches and "the sleeves modestly retire to the<br />
regions of the elbow. . . . Never wear leather if<br />
you can help it." Such was the snobbery of an<br />
English Lord. He finally admitted: "if nothing<br />
better can be obtained, there is no other course<br />
left open than that of wearing leather or going<br />
a la sauvage. . . . Buckskin ... is the material most<br />
hunters, trappers, and traders, whether white or<br />
red men, use for their suits of clothes" (Lord,<br />
1867:139).<br />
Perhaps this writer's personal experience will<br />
resolve this dichotomy. Buckskin clothing is very<br />
uncomfortable when damp; but if heavily<br />
smoked, sewn with welted seams, and greasy from<br />
long use, it is relatively water repellent. It does<br />
become stiff and brittle, and it shrinks and<br />
stretches to a remarkable degree. However, high<br />
winds and insects do not penetrate it. It is superb<br />
for an outer garment in really frigid temperatures