Plains Indian Studies - Smithsonian Institution Libraries
Plains Indian Studies - Smithsonian Institution Libraries
Plains Indian Studies - Smithsonian Institution Libraries
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NUMBER 30<br />
sault by the medicine pipe, their driving him onto<br />
the prairie, his emasculation, and the return of<br />
the women in triumph. In the intervening century<br />
the times and the morals have changed. We can<br />
be grateful to Catlin, who depicted and described<br />
activities no longer available for study and gave<br />
rise to a tradition in the graphic arts and writing<br />
to which Ewers is the heir and master.<br />
In Artists of the Old West (1973), which he<br />
dedicates to his daughter Diane, who shares her<br />
father's talents and interests in the Old West,<br />
Jack has assembled his previous monographic<br />
studies of individual artists who were at once<br />
explorers and historians, from Charles Wilson<br />
Peale to Charles M. Russell. The portraits of<br />
Charles Bird King and John Neagle are especially<br />
Ewers, John C.<br />
1939. <strong>Plains</strong> <strong>Indian</strong> Painting: A Description of an Aboriginal<br />
American Art. Palo Alto: Stanford University<br />
Press.<br />
1955. The Hoise in Blackfoot <strong>Indian</strong> Culture, with Comparative<br />
Material from Other Western Tribes.<br />
Bureau of American Ethnology Bulletin, 159.<br />
1958. The Blackfeet: Raiders on the Northwestern <strong>Plains</strong>. Norman:<br />
University of Oklahoma Press.<br />
1965. Artists of the Old West. Garden City, New York:<br />
Doubleday and Company.<br />
Ewers, John C, editor<br />
1967. 0-Kee-Pa: A Religious Ceremony and Other Customs of<br />
the Mandans, by George Catlin. New Haven: Yale<br />
University Press.<br />
1969. The <strong>Indian</strong>s of Texas in 1830, by Jean Louis Berlan-<br />
Literature Cited<br />
important just now, when certain extant collections<br />
may be scattered into private hands. Peter<br />
Rindisbacher's dancers and domestic scenes have<br />
an especial appeal. And Karl Bodmer's "Hidatsa<br />
Dog Dancer" recalls the frontispiece of Wissler's<br />
American <strong>Indian</strong> (1922). As a student of the Iroquois<br />
I am particularly grateful for the pencil sketches<br />
of Pierre, an Iroquois farmer, and Aeneas, the<br />
Iroquois guide to Father DeSmet, by Gustavus<br />
Sohon for what they convey about the Iroquois<br />
voyageurs in the West and because they link Jack<br />
to my own area of research.<br />
On this note let me end this tribute to an old<br />
friend and an esteemed scholar who has illuminated<br />
a whole area of discovery for our enlightenment. <br />
dier. Washington, D.C: <strong>Smithsonian</strong> <strong>Institution</strong><br />
Press.<br />
Kroeber, A.L.<br />
1959. The History of the Personality of Anthropology.<br />
American Anthropologist, 61:398-404.<br />
Riegel, Robert E.<br />
1969. Review of the <strong>Indian</strong>s of Texas in 1830, by Jean<br />
Louis Berlandier. Dartmouth Alumni Magazine<br />
(June), page 14.<br />
Wissler, Clark<br />
1922. The American <strong>Indian</strong>: An Introduction to the Anthropology<br />
of the New World. 2nd edition. New York: Oxford<br />
University Press.<br />
1942. The American <strong>Indian</strong> and the American Philosophical<br />
Society. American Philosophical Society Proceedings,<br />
86:189-204.<br />
17