23.02.2013 Views

Plains Indian Studies - Smithsonian Institution Libraries

Plains Indian Studies - Smithsonian Institution Libraries

Plains Indian Studies - Smithsonian Institution Libraries

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

NUMBER 30<br />

sault by the medicine pipe, their driving him onto<br />

the prairie, his emasculation, and the return of<br />

the women in triumph. In the intervening century<br />

the times and the morals have changed. We can<br />

be grateful to Catlin, who depicted and described<br />

activities no longer available for study and gave<br />

rise to a tradition in the graphic arts and writing<br />

to which Ewers is the heir and master.<br />

In Artists of the Old West (1973), which he<br />

dedicates to his daughter Diane, who shares her<br />

father's talents and interests in the Old West,<br />

Jack has assembled his previous monographic<br />

studies of individual artists who were at once<br />

explorers and historians, from Charles Wilson<br />

Peale to Charles M. Russell. The portraits of<br />

Charles Bird King and John Neagle are especially<br />

Ewers, John C.<br />

1939. <strong>Plains</strong> <strong>Indian</strong> Painting: A Description of an Aboriginal<br />

American Art. Palo Alto: Stanford University<br />

Press.<br />

1955. The Hoise in Blackfoot <strong>Indian</strong> Culture, with Comparative<br />

Material from Other Western Tribes.<br />

Bureau of American Ethnology Bulletin, 159.<br />

1958. The Blackfeet: Raiders on the Northwestern <strong>Plains</strong>. Norman:<br />

University of Oklahoma Press.<br />

1965. Artists of the Old West. Garden City, New York:<br />

Doubleday and Company.<br />

Ewers, John C, editor<br />

1967. 0-Kee-Pa: A Religious Ceremony and Other Customs of<br />

the Mandans, by George Catlin. New Haven: Yale<br />

University Press.<br />

1969. The <strong>Indian</strong>s of Texas in 1830, by Jean Louis Berlan-<br />

Literature Cited<br />

important just now, when certain extant collections<br />

may be scattered into private hands. Peter<br />

Rindisbacher's dancers and domestic scenes have<br />

an especial appeal. And Karl Bodmer's "Hidatsa<br />

Dog Dancer" recalls the frontispiece of Wissler's<br />

American <strong>Indian</strong> (1922). As a student of the Iroquois<br />

I am particularly grateful for the pencil sketches<br />

of Pierre, an Iroquois farmer, and Aeneas, the<br />

Iroquois guide to Father DeSmet, by Gustavus<br />

Sohon for what they convey about the Iroquois<br />

voyageurs in the West and because they link Jack<br />

to my own area of research.<br />

On this note let me end this tribute to an old<br />

friend and an esteemed scholar who has illuminated<br />

a whole area of discovery for our enlightenment. <br />

dier. Washington, D.C: <strong>Smithsonian</strong> <strong>Institution</strong><br />

Press.<br />

Kroeber, A.L.<br />

1959. The History of the Personality of Anthropology.<br />

American Anthropologist, 61:398-404.<br />

Riegel, Robert E.<br />

1969. Review of the <strong>Indian</strong>s of Texas in 1830, by Jean<br />

Louis Berlandier. Dartmouth Alumni Magazine<br />

(June), page 14.<br />

Wissler, Clark<br />

1922. The American <strong>Indian</strong>: An Introduction to the Anthropology<br />

of the New World. 2nd edition. New York: Oxford<br />

University Press.<br />

1942. The American <strong>Indian</strong> and the American Philosophical<br />

Society. American Philosophical Society Proceedings,<br />

86:189-204.<br />

17

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!