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s e rv I C e o P P o r t U n I t I e s<br />
The Los Angeles metropolitan area offers many opportunities for<br />
remunerative service in music. There are frequent openings for<br />
competent organists, church choir directors, soloists, accompanists<br />
and instrumentalists.<br />
s C h o l a r s h I P s<br />
Music awards in varying amounts are available to qualified students.<br />
Complete information is available by writing: Director, Conservatory<br />
of Music, <strong>Biola</strong> <strong>University</strong>, 13800 <strong>Biola</strong> Avenue, La Mirada, CA 90639-<br />
0001.<br />
Courses (MUSC)<br />
mUsC 100 Keyboard i ..................................................................................1<br />
Designed to develop general keyboard facility. For the music<br />
major, as preparation for entrance to MUSC 118. Graded on a<br />
credit / no credit basis. (Units earned by the music major may<br />
not apply toward music degree requirements.) Fee: $1<strong>05</strong>.<br />
mUsC 101 music appreciation ................................................................3<br />
Elements of music and media of performance in historical<br />
perspective. Provides basic background in music literature. For<br />
the non-music major. Offered each semester.<br />
mUsC 102 Voice Class .................................................................................1<br />
Basic vocal training. Fee: $75.<br />
mUsC 104 Guitar Class ................................................................................1<br />
For the student with no previous training in guitar. Survey<br />
of different styles of playing, together with music theory as<br />
related to the instrument. First position chords, bar chords,<br />
right and left hand technique. Fee: $75.<br />
mUsC 113 a sight-singing & Dictation i ..................................................2<br />
Sight-singing diatonic melodies, major and minor scales and<br />
triads using moveable tonic solfege. Transcribing basic dia-<br />
tonic melodies, cadences and progressions. Reading, perform-<br />
ing and transcribing rhythmic patterns in simple, compound<br />
and irregular meters.<br />
mUsC 113 W music Theory i ..........................................................................2<br />
The study of the following music fundamentals: elementary<br />
acoustics, keyboard layout, intervals, scales, key signatures,<br />
triads, figured bass, diatonic voice-leading, cadences, elemen-<br />
tary harmonic progressions, meter, rhythm, time signatures<br />
and staff notation.<br />
mUsC 114 a sight-singing & Dictation ii .................................................2<br />
Using 113 A materials as a foundation, this course will<br />
encompass the sight-singing and transcribing of diatonic and<br />
simple chromatic melodies with greater rhythmic complexity,<br />
triads in all inversions, dominant seventh chords and altered<br />
non-harmonic tones.<br />
mUsC 114 W music Theory ii .........................................................................2<br />
A study of common-practice diatonic harmony with emphasis<br />
on voice leading and harmonic progression. Includes part-<br />
writing, non-harmonic tones, cadences, figured bass and<br />
Roman analysis.<br />
mUsC 118 Keyboard ii .................................................................................1<br />
Keyboard technique and literature for the non-keyboard<br />
major. Graded on a credit / no credit basis. Prerequisite: 100 or<br />
permission. Fee: $1<strong>05</strong>.<br />
mUsC 119 Keyboard iii ...............................................................................1<br />
Keyboard technique and literature for the non-keyboard<br />
major. Graded on a credit / no credit basis. Prerequisite: 118 or<br />
permission. Fee: $1<strong>05</strong>.<br />
mUsC 120 Keyboard iV ...............................................................................1<br />
Advanced functional keyboard skills for the composition<br />
major. Included will be such skills as the playing of four-voice<br />
progressions incorporating secondary dominants, Neapolitan<br />
sixth chords, raised supertonic / raised submediant seventh<br />
chords, etc. , as well as at-sight simple figured-bass realization<br />
and sightreading from an open score. Required for B.M. Com-<br />
position students. Fee: $1<strong>05</strong>.<br />
mUsC 141 applied music: Private ...........................................................1<br />
Applied instruction in composition, piano, organ, harpsichord,<br />
voice, brass, strings, woodwinds, percussion, conducting, and<br />
improvisation. Fee: half hour lesson $290.<br />
mUsC 142 applied music: Private ...........................................................2<br />
Applied instruction in composition, piano, organ, harpsichord,<br />
voice, brass instruments, string instruments, woodwind instru-<br />
ments, percussion instruments, conduction, and improvisa-<br />
tion. Fee: hour lesson $580.<br />
mUsC 151 Lyric Diction i ............................................................................1<br />
Lyric diction is taught in four semesters. All courses are 1 unit<br />
lab courses meeting two hours per week. These courses are<br />
geared for students studying classical vocal technique whose<br />
vocal repertoire consists of foreign language as well as Eng-<br />
lish, and who, therefore, must learn to accurately pronounce<br />
and articulate foreign languages, and to know the meaning<br />
of every word in the text in order to convey it accurately.<br />
International Phonetic Alphabet, as it applies to the languages<br />
studied, and the pronunciation and basic grammar of the<br />
Italian language, will be taught.<br />
mUsC 152 Lyric Diction ii ...........................................................................1<br />
German diction and grammar will be covered in the second<br />
semester.<br />
20<strong>05</strong> – 20<strong>07</strong> C ATA LO G Undergraduate Programs 127