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Hall marks on gold & silver plate

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ENGLISH GOLDSMITHS. 57<br />

1739-47. Marmaduke Daintrey, <strong>gold</strong>smith and <strong>plate</strong>worker, of<br />

Noble Street, entered his name in 1739. In 1747 he removed to the<br />

"<br />

Crown," in Old Street. The name of Marmaduke Daintrey occurs<br />

in the parliamentary list of 1773, probably his s<strong>on</strong>, a spo<strong>on</strong>maker,<br />

living at Hartley Row, Hants.<br />

Thomas Gilpin, <strong>gold</strong>smith, of Lincoln's Inn Gate, entered his<br />

name at the <str<strong>on</strong>g>Hall</str<strong>on</strong>g> July 2, 1730. "The grand service of <strong>plate</strong> which<br />

graced the royal table, at the banquet given by Sir Samuel Fludyer<br />

at the Mansi<strong>on</strong> House <strong>on</strong> Lord Mayor's Day, 1761, which the king<br />

and queen h<strong>on</strong>oured with their presence, was made new for the occasi<strong>on</strong><br />

by Mr. Gilpin, with whom the city exchanged a quantity of old<br />

<strong>plate</strong> for the new." (" Old English Plate," by W. I. Cripps.)<br />

1740. John Barker, <strong>gold</strong>smith, at the "Morocco Ambassador's<br />

Head " in Lombard Street. His name is revealed to us by a shop<br />

bill, engraved by Hogarth, having a Turk's head at the top.<br />

1740. Bejijainiji Gurden, <strong>gold</strong>smith, of Noble Street, first entered<br />

his name at the <str<strong>on</strong>g>Hall</str<strong>on</strong>g> as <strong>plate</strong>worker in 1740. His name also<br />

occurs in the list of 1773 at the same house. He died in 1804, having<br />

been in business upwards of sixty years. He bequeathed three<br />

hundred pounds to the Goldsmiths for the use of the poor.<br />

1740. G. M. Moser, <strong>gold</strong>smith and artist, born at Schaffhausen<br />

in 1707; died in L<strong>on</strong>d<strong>on</strong> 1783. He was a celebrated chaser <strong>on</strong> <strong>gold</strong>,<br />

especially <strong>on</strong> the watch cases with emblematical figures in relief<br />

much in vogue about the middle of the century jewellery, etc. He<br />

wrote some works <strong>on</strong> the <strong>gold</strong>smith's art and <strong>on</strong> painting. He was<br />

the founder of the Academy of Painters in 1768, of which Sir<br />

Joshua Reynolds was the first president. His daughter Mary, born<br />

1744, was also an artist.<br />

1742. Nicholas Sfrim<strong>on</strong>t, of Compt<strong>on</strong> Street, Soho, entered his<br />

name at Goldsm.iths' <str<strong>on</strong>g>Hall</str<strong>on</strong>g> as <strong>plate</strong>worker in January, 1742. He<br />

carried the modelling of shells, coral, insects, shell fish and rockwork<br />

to great perfecti<strong>on</strong> in <strong>silver</strong>. A specimen of his <strong>plate</strong>, viz., a<br />

pair of oval dishes, eleven inches in diameter by nine inches, beautifully<br />

modelled in this manner, is preserved in the Royal Collecti<strong>on</strong><br />

at Windsor made in 1743. The same character of work was modelled<br />

by his c<strong>on</strong>temporary Paul Crespin, of Compt<strong>on</strong> Street. Sprim<strong>on</strong>t<br />

is also celebrated as being the founder of the Chelsea porcelain<br />

factory in 1750, under the patr<strong>on</strong>age of the Duke of Cumberland<br />

and Sir Edward Fawkener, of which, in 1755, he became sole<br />

proprietor. The same taste was carried out by him in porcelain in<br />

the well-known centrepieces of Chelsea china of the early period of<br />

its existence. He was the writer of the memorial found in the Lansdown<br />

MSS. without name or date, neither of which have until now<br />

been discovered. He styles himself "undertaker of the Chelsea<br />

manufacture of porcelain, a <strong>silver</strong>smith by professi<strong>on</strong>, in which <strong>on</strong>e<br />

hundred pers<strong>on</strong>s are employed, and a nursery of thirty lads from<br />

the parishes and charity schools who are bred to designing and<br />

painting." (Chaffers's "Marks and M<strong>on</strong>ograms <strong>on</strong> Pottery and<br />

Porcelain," page 915.)

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