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Hall marks on gold & silver plate

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FALSE PUNCHES, ETC. 153<br />

By the electrotype process, an ancient vase, cup, or any piece<br />

of <strong>plate</strong>, may be moulded with the greatest exactness, showing the<br />

minutest chasing and engraving and even the hammer-<str<strong>on</strong>g>marks</str<strong>on</strong>g> of the<br />

original, as well as the <str<strong>on</strong>g>Hall</str<strong>on</strong>g>-mark itself. These reproducti<strong>on</strong>s are<br />

difficult of detecti<strong>on</strong> to the uninitiated, but an expert will at a glance<br />

discover the spurious copy, although the means by which he arrives<br />

at such a c<strong>on</strong>clusi<strong>on</strong> are not so easily explained. An experienced<br />

numismatist will, by the feel as well as the sight, distinguish<br />

between a true and false coin; so a perceptible difference will be<br />

observed between a genuine piece of old chased <strong>silver</strong> and its<br />

modern prototype. There is about the latter a greasy, unsatisfac-<br />

will at <strong>on</strong>ce detect.<br />

tory appearance, which a practised hand and eye<br />

Of course in these electrotype copies the reverse would show the<br />

crystals formed in the process ; but these are inside the cup or vase,<br />

and if in sight are tooled over to prevent detecti<strong>on</strong>.<br />

Sometimes English <str<strong>on</strong>g>Hall</str<strong>on</strong>g>-<str<strong>on</strong>g>marks</str<strong>on</strong>g> are cut from a spo<strong>on</strong> or small<br />

article and transferred to a large and more important piece of <strong>plate</strong>,<br />

such as a cup or vase, perhaps of old German manufacture. This<br />

might be detected by an assay, to ascertain if the quality corresp<strong>on</strong>d<br />

with the English standard, foreign <strong>plate</strong> being usually inferior,<br />

which could be d<strong>on</strong>e with little trouble and at a trifling cost at an<br />

Assay Office, by scraping a few grains from the piece. On close<br />

examinati<strong>on</strong> with a magnifier, the transposed fragment c<strong>on</strong>taining<br />

the <str<strong>on</strong>g>Hall</str<strong>on</strong>g>-mark may be traced by the line round the edge, which is<br />

generally inserted with solder; or, if highly polished, the juncti<strong>on</strong><br />

may be observed by applying the fumes of sulphur, or by the blow-<br />

In examining pieces with supposed counterfeit or forged <str<strong>on</strong>g>Hall</str<strong>on</strong>g><str<strong>on</strong>g>marks</str<strong>on</strong>g><br />

several indicia must be specially c<strong>on</strong>sidered. We must first<br />

try and divine the motive of falsificati<strong>on</strong>; whether it be to pass off<br />

inferior or base metal as standard, or whether the object be to deceive<br />

by making the piece appear of a more ancient date than it<br />

really is, by placing the counterfeit of the old die up<strong>on</strong> good <strong>silver</strong><br />

and taking advantage of the increased value between antique and<br />

modern <strong>plate</strong>. In the first case we easily arrive at a safe c<strong>on</strong>clusi<strong>on</strong><br />

by an assay in the ; sec<strong>on</strong>d we must to a great extent be guided by<br />

the style and fashi<strong>on</strong> of the vessel, and judge whether they corresp<strong>on</strong>d<br />

with the date assigned to it by the stamps, which, if copied<br />

accurately from the English <str<strong>on</strong>g>Hall</str<strong>on</strong>g>-<str<strong>on</strong>g>marks</str<strong>on</strong>g>, can be easily ascertained.<br />

Again, the methods of manufacturing <strong>plate</strong>, ancient and modern,<br />

are essentially different, as indicated by the presence of hammer<str<strong>on</strong>g>marks</str<strong>on</strong>g>,<br />

etc. The style of ornamentati<strong>on</strong> in repousse, engraving and<br />

chasing differs materially ; the colour and tint of old gilding is also<br />

difficult to imitate. Moreover, we must not be misled or taken off<br />

our guard by abrasi<strong>on</strong>s, <str<strong>on</strong>g>marks</str<strong>on</strong>g> of wear and tear, or rough usage, as<br />

these are easily counterfeited.<br />

Another method of detecting spurious <strong>plate</strong> is by a close observati<strong>on</strong><br />

of the positi<strong>on</strong> of the <str<strong>on</strong>g>Hall</str<strong>on</strong>g>-<str<strong>on</strong>g>marks</str<strong>on</strong>g> <strong>on</strong> the piece of <strong>plate</strong><br />

under examinati<strong>on</strong>. The stamping of <strong>plate</strong> at the Assay Offices is<br />

not d<strong>on</strong>e at random, but is subject to official orders and regulati<strong>on</strong>s.

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