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Hall marks on gold & silver plate

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xxiv INTRODUCTION.<br />

who was born at Glast<strong>on</strong>bury, about the year 925, and of whom<br />

more hereafter.<br />

The Anglo-Sax<strong>on</strong>s were, indeed, always reck<strong>on</strong>ed skilful in the<br />

use of <strong>gold</strong> and <strong>silver</strong>. We are told that after the C<strong>on</strong>quest, when<br />

William returned to Normandy, he carried with him the choicest<br />

wealth of England, as gifts to St. Stephen's at Caen, and other<br />

"<br />

churches which he visited. Men gazed with w<strong>on</strong>der up<strong>on</strong> the rich<br />

spoils of the c<strong>on</strong>quered island. In arts of skill and adornment<br />

England and other Teut<strong>on</strong>ic lands were allowed to outdo the<br />

nati<strong>on</strong>s of the Romance speech. And if the women of England<br />

were renowned for the art which had wrought the Raven <strong>on</strong> the<br />

banner of Ragnar, and the Fighting Man <strong>on</strong> the banner of Harold,<br />

the men were no less reno\^ined for the art which wrought the cups<br />

of <strong>gold</strong>, the cups of <strong>silver</strong>, and the many other articles which adorned<br />

the tables of the great."<br />

Theodoric, the <strong>gold</strong>smith, was settled in England in King<br />

Eadward's time, and held lands in various shires both under that<br />

King<br />

and under Earl Harold. He was a man of unrecorded<br />

nati<strong>on</strong>ality, and was no doubt <strong>on</strong>e of those craftsmen from the<br />

Teut<strong>on</strong>ic land, whose presence in England had been encouraged by<br />

a c<strong>on</strong>stant traditi<strong>on</strong>, probably going back to the days of Eadgar.<br />

Immediately after the C<strong>on</strong>quest, William granted to him estates in<br />

Berkshire. In Essex and Suffolk we find a tenant called " Otto<br />

aiirifaber" or " Otho aurifex" who must have been a clever workman,<br />

for he was employed <strong>on</strong> William's own tomb ; and in Wiltshire, also,<br />

" Grimbaldus aurifaber " was <strong>on</strong>e of the King's Thegns.<br />

In the eleventh century a great revival of art took place throughout<br />

Europe, the movement being to a large extent ecclesiastical in<br />

character. Most of the workers were m<strong>on</strong>ks, who founded their<br />

m.<strong>on</strong>asteries in all parts of the land, the most w<strong>on</strong>derful structures,<br />

adorned with images and sculpture, with altar fr<strong>on</strong>ts, crosses and<br />

candlesticks, with chalices and patens, and with reliquaries and<br />

lamps.<br />

In 1 1 80 a guild of <strong>gold</strong>smiths existed in L<strong>on</strong>d<strong>on</strong>, but it was<br />

simply an associati<strong>on</strong> of manufacturers working together as a trade<br />

uni<strong>on</strong>, probably using the leopard's head as a trade-mark, but unrecognised<br />

by the legislature, and having no charter or other<br />

privilege.<br />

The first Mayor of L<strong>on</strong>d<strong>on</strong> was a <strong>gold</strong>smith, Henry Fitz-<br />

Alweyn by name, who held this high office from 1 189 to 1213.<br />

The reputati<strong>on</strong> of the <strong>gold</strong>-worker for h<strong>on</strong>esty, does not, however,<br />

appear to have been very high, for in 1238 the King issued<br />

a mandate commanding the Mayor<br />

and Aldermen to choose six of<br />

the more discreet <strong>gold</strong>smiths to superintend the craft, to inquire as<br />

to the pureness of <strong>gold</strong> and <strong>silver</strong> used, and to prevent any<strong>on</strong>e from<br />

working in private.<br />

Neither does it appear that the <strong>gold</strong>-workers were a very peaceful<br />

race, for, as the guild became powerful, it is recorded that in<br />

1268: " In this liii yere [of Henry III] in y* m<strong>on</strong>eth of Nouembre,

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