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Hall marks on gold & silver plate

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120 HALL MARKS ON PLATE.<br />

The value per ounce of the different qualities of <strong>gold</strong> permitted<br />

to be manufactured into <strong>plate</strong> jewellery, watches, etc., by the various<br />

Acts of Parliament, and stamped accordingly, calculated at the<br />

highest Mint price,*<br />

24 karat or pure <strong>gold</strong><br />

is as follows :<br />

s. d. ALLOY<br />

4 4 11^ ... N<strong>on</strong>e.<br />

22 karat (first standard and currency) . . 3 17 lOi ... 2 karat.<br />

20 karat (Ireland <strong>on</strong>ly) . . . . . 3 10 9i ... 4 ,,<br />

18 karat (sec<strong>on</strong>d standard) . . . 3 3 8^ ... 6 ,,<br />

15 karat) [2 13 1 ... 9<br />

12 karat hince 1854 -{2 2 5J ... 12 ,,<br />

9 karat) (1 11 10* ... 15<br />

If these variati<strong>on</strong>s in the value of the different qualities of <strong>gold</strong><br />

were better known or attended to, the public would not so frequently<br />

be duped by hish<strong>on</strong>est tradesmen. Mr. Watherst<strong>on</strong>, in his pamphlet<br />

"On the Art of Assaying," observes : "Advertisements are sometimes<br />

thus ingeniously c<strong>on</strong>trived :<br />

'<br />

Fine <strong>gold</strong> chains weighing five<br />

sovereigns for ^ each,' by which it is meant to be inferred that the<br />

<strong>gold</strong> in the chains is of the same fineness as the sovereigns, while it<br />

IS no such thing; and an accurate knowledge of this subject would<br />

enable the purchaser to detect the impositi<strong>on</strong> by showing the vendor<br />

that five sovereigns would weigh i oz. 5 dwts. \2\ grs., and that<br />

sovereigns being standard or 22 karats, the weight of such <strong>gold</strong> at<br />

the Mint price of 77s. io\d. per oz. would be worth whereas the<br />

'^,<br />

<strong>gold</strong> in the chain might be <strong>on</strong>ly half the fineness, say, 1 1 karats, or<br />

T oz. 5 dwts. 12\ grs. at 38s. ii|d. per oz. = 2 los. Thus 2 los.<br />

would be obtained for the workmanship of the chain, which charge<br />

it was the object of the vendor wholly to c<strong>on</strong>ceal."<br />

The Bank of England is bound to buy all <strong>gold</strong> at ^^"3 17s. lo^d.<br />

per ounce.<br />

The parliamentary price of <strong>gold</strong> is <strong>on</strong>ly an equivalent denominati<strong>on</strong>;<br />

'i 17s. lo^d. is not the price of an ounce of <strong>gold</strong>, but is ac-<br />

i.s evidently an incorrect reading. \Ve\cihin(j a chain to its ^limost knrit is<br />

impossible, and the charrjeftd fashi<strong>on</strong> incomprehensible. By placing the commas<br />

aright we arrive at the poet's meaning, and find that three separate items<br />

are alluded to in the Goldsmith's note. 1st. How viuch yo\ir chain iceighs,<br />

that is always expressed in troy ounces, pennyweights and grains. 2nd. To<br />

the utmost karat the fineness of the (jold, the standard or fineness is always<br />

computed by refiners in karats or imaginary weights. 3rd. The charrje for<br />

fashi<strong>on</strong>, that is the cost of making. Shakespeare's meaning is clearly expiessed<br />

in another play, where the Prince saj's :<br />

" Therefore, thou best of <strong>gold</strong> art Avorst of <strong>gold</strong> :<br />

Other, less fine in carat, is more precious.<br />

Preserving life in medicine potable."<br />

Sec<strong>on</strong>d Part of " King Henry IV " (Act iv, Sc. 5, 1. 161).<br />

* A purcha.ser, in estimating the probable cost of a piece of <strong>plate</strong> or jewellery,<br />

must add to the intrinsic value of the <strong>gold</strong>, tiie duty paid by the <strong>gold</strong>.smith<br />

of seventeen shillings per ounce <strong>on</strong> all the standards, of 22 down to 9 karats,<br />

if above 10 dwts. (the small articles, and those which cannot be stamped without<br />

injuring them, and watch-cases being exempted), the Assay Office fees, and<br />

the charge for faslii<strong>on</strong> or manufacture, Avhich, of course, varies according to the<br />

artistic labour bestowed up<strong>on</strong> the material by the designer, the chaser, and<br />

the engraver.

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