Untitled - Sexey's School Moodle

Christie finishes coming she resumes eating Sabrina’s cunt and I
watch, hunched over Christie, panting, as Sabrina lifts her hips
repeatedly into Christie’s face and then I have to lie back, spent but
still hard, my cock, glistening, still aching from the force of my
ejaculation, and I close my eyes, my knees weak and shaking.
(176)
This next description, an episode where Bateman has hired the same prostitute, ‘Christie,’
to participate in another threesome with Elizabeth, a “hardbody” he met at the gym, can
also be perceived as pornographic:
I make Christie pull the dildo out of Elizabeth’s cunt and have
Elizabeth lie on her back while Christie fucks her in the missionary
position. Elizabeth is fingering her clit while madly French-kissing
Christie until, involuntarily, she brings her head back, legs
wrapped around Christie’s pumping hips, her face tense, her mouth
open, her lipstick smeared by Christie’s cunt juice, and she yells,
“oh god I’m coming I’m coming fuck me I’m coming”… (289)
It is also noteworthy that these episodes happen repetitively and are scattered throughout
the novel, adding to the uncanny qualities of the narrative as it alternates between its
various discursive modes.
150
These excerpts conform to Walker’s definition of pornography which emphasizes
the lack of emotions and a vision of “perfection” that is prevalent in pornographic
material. This “perfection” is precisely achieved through a lack of distancing that
characterizes the novel’s narrative, as will be explained below, and the insistence in
relating these events in meticulously explicit and meticulous detail while assuming a
purely descriptive tone, an approach which is consistent throughout the novel. As was
the case in previous examples, it is partly this inclusion of pornography—a form of
cultural production which is largely characterized as “low” and “immoral”—into
seemingly “established” or “serious” literature that constitutes one of the novel’s