Untitled - Sexey's School Moodle
Untitled - Sexey's School Moodle
Untitled - Sexey's School Moodle
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sub-genre of literature that was considered subversive because it rejected accepted<br />
traditions and was neither respected nor valued by the literati operating under the canons<br />
of classicism, Reason, and early Romanticism. In addition, The Monk was perceived to<br />
be politically subversive, a view that was influenced by the novel’s social criticism and<br />
Lewis’ political affiliations. Hence, Lewis’ novel simultaneously operates in the three<br />
divisions of transgression outlined in Chapter Two: it is taboo-breaking because by<br />
depicting scenes of incest and murder it transgresses the accepted conventions of societal<br />
morality; it challenges the reigning artistic practices; and it is politically subversive<br />
because it seems to debase the forms of institutional power. It also complies with the<br />
framework of shock, scandal and subversion, whereas the elements that produce shock<br />
arouse controversy, and are also capable of subverting traditionally accepted norms and<br />
conventions. These characteristics prevented Lewis from belonging to the exclusive list<br />
of canonical authors of the late eighteenth century. However, two centuries and several<br />
paradigm shifts later, the critical estimation of Lewis’ novel has drastically changed, 9 as<br />
the extensive list of scholarly articles pertaining to the novel, the distinguished position it<br />
occupies within the traditions of both the Gothic and Romanticism, and its edition in the<br />
series of the Oxford World’s Classics may testify. The recognized value of Lewis’ novel<br />
as cultural capital has not only increased, it is constantly being reappraised.<br />
As outlined in Chapter One, the late eighteenth century was marked by a frenzied<br />
series of cultural exchanges triggered by shifts operating at all levels of discursive<br />
practices. More particularly, the prevailing cultural climate at the time of The Monk’s<br />
9 Interestingly enough, as it was the case with the work of Edgar Allan Poe, the French were the first to<br />
consider that The Monk was indeed an outstanding work of literature. See for example Antonin Artaud’s<br />
“Avertisement” in his adaptation of Lewis’novel.<br />
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