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Poe, Edgar Allan. “The Philosophy of Composition.” The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York, NY:, 2001: 742-750. Pope, Alexander. “An Essay on Criticism.” The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York, NY: Norton, 2001: 438-441.* “Pornography.” The Penguin Dictionary of Literary Terms and Literary Theory. Ed. J.A. Cuddon. 4 th ed. 1998. Price, David W. “Bakhtinian Prosaics, Grotesque Realism, and the Question of the Carnivalesque in Brett Easton Ellis’ American Psycho.” Southern Humanities Review. Vol. 32.4 (Fall 1998): 321-346. Richter, David H. The Progress of Romance: Literary Historiography and the Gothic Novel. Ohio. University of Ohio Press, 1996. Robinson, Lillian S. “Treason our Text: Feminist Challenges to the Literary Canon.” Falling Into Theory: Conflicting Views on Reading. Ed. David H. Richter. Boston: Bedford Books of St. Martin's Press, 2000: 153-166. Rosenblatt, Roger. “Snuff This Book! Will Brett Easton Ellis Get Away with Murder?” Review of American Psycho, by Brett Easton Ellis. New York Times Book Review. Dec. 16, 1990: sect. 7,3. Sade, Marquis de. "Reflections on the Novel." The 120 Days of Sodom and other writings. Trans. Austryn Wainhouse and Richard Seaver. London: Arrow Books, 1990, 97-116. 199
Sahni, Archna. “Religion and Erotic Love in Lewis’ The Monk and Maturin’s Melmoth the Wanderer, with reference to Georges Bataille’s ideas on Eroticism.” Panjab University Research Bulletin 31.1-2 (2000): 148-57 Said, Edward. “The Politics of Knowledge.” Falling Into Theory: Conflicting Views on Reading. Ed. David H. Richter. Boston: Bedford Books of St. Martin's Press, 2000: 188-198. Scott, Walter. “Mrs. Ann Radcliffe.” Lives of the Novelists. London: Dent, 1910. Shakespeare, Willliam. Troilus and Cressida. New York, NY: Penguin, 2000 Shelley, Percy. Shelley’s Poetry and Prose. Eds. Donald H. Reiman & Sharon B. Powers. New York, NY: Norton, 1977. Sidney, Sir Philip. “An Apology of Poetry.” The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York, NY: Norton 2001: 323-326.* Smith, Barbara Herrnstein. “Contingencies of Value.” Falling Into Theory: Conflicting Views on Reading. Ed. David H. Richter. Boston: Bedford Books of St. Martin's Press, 2000: 147-152. Stallybrass, Peter and Allon White. The Politics and Poetics of Transgression. Ithaca, New York: Cornell University Press, 1986. Thompkins, Jane. “Masterpiece Theater.” Falling Into Theory: Conflicting Views on Reading. Ed. David H. Richter. Boston: Bedford Books of St. Martin's Press, 2000: 137-147. 200
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ABSTRACT This thesis examines the r
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TABLE OF CONTENTS Acknowledgments 4
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INTRODUCTION If one looks at the mo
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…Achilles slit open his liver, th
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following centuries due to the chan
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favorably by its contemporaries on
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REVIEW OF SECONDARY SOURCES This in
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Whereas these historical accounts a
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a framework under which transgressi
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Chapter 1 CANON-FORMATION, TRANSGRE
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amongst so-called “minorities”
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elonged to—these works were at on
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that person “is driven over the g
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the third century. At Yavneh the sc
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especially at the dawn of the twent
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theater-goers (Stallybras et al. 84
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emergence of new genres in literatu
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have been produced to please the ma
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Literature remained a favored means
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poet lies in his powerful and beaut
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specifically, it rebelled against t
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according to Johnson, “discolored
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while at the same time, establishin
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There is no reason to assume that t
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isolated case in the reception of l
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During the period of revision of th
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Henry Louis Gates Jr. It is only by
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that remain canonical throughout th
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academia, and thus participate acti
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Chapter 2 SHOCK, SCANDAL, AND SUBVE
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As is the case with canonical disco
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Although in this excerpt Foucault
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eplaces language, where language be
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that one distinguishable characteri
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Enlightenment period. In the case o
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transgressive artworks and their re
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sport of them. Nevertheless, it mai
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a practice or belief, or a set ther
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epressed instinctual drives stored
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Within the perspective enunciated a
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and high culture as did the Marquis
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“interrogators,” those who subv
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(sometimes, of the state itself),
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taking action. In other words, by b
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consequently, loses its transgressi
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Chapter 3 WORLDS COLLIDE: CULTURAL
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sub-genre of literature that was co
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case of the late eighteenth century
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As a reaction to this “democratiz
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To a certain extent, the Gothic is
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101 To understand the controversy s
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historical value was intensively sc
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“dialogue,” rather a unilateral
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egarding cultural and political ide
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Watt argues that the latter conside
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and the name of its author was reve
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contextualization of their work and
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critical acclaim by following the p
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Radcliffe’s novels (245), a trans
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efficiency of the legal system. As
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controversy is finally dispelled, t
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123 The distinction between Radclif
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125 Even though The Monk was immens
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ejection of inherited dogma. This i
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that with regard to such material a
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they represented wanted to diffuse
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different generations of readers th
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elements—and its Preface, where t
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the unfavorable conditions under wh
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addition, following Michelle A. Mas
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suppress his passionate nature resu
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its tenure as a work of transgressi
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145 In recent history, no book has
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147 Bret Easton Ellis’ American P
Page 150 and 151: depend on the individual, on his or
Page 152 and 153: transgressions. Ironically, even th
Page 154 and 155: While this episode can be perceived
Page 156 and 157: which he/she participates as well.
Page 158 and 159: In American Psycho, Ellis makes sim
Page 160 and 161: are responsible for provoking the m
Page 162 and 163: 161 Even so, as outlined earlier, t
Page 164 and 165: ecome inescapably appealing. The st
Page 166 and 167: overwhelming, or, in more extreme c
Page 168 and 169: Although Murphet’s appraisal of t
Page 170 and 171: argued above, the latter produces q
Page 172 and 173: “civilized” man is indeed no st
Page 174 and 175: males 25 . Such interrogations only
Page 176 and 177: liberal capitalism, two trends that
Page 178 and 179: type of laughter that would lead ho
Page 180 and 181: outburst that characterized the rel
Page 182 and 183: she chooses to be atypical by censu
Page 184 and 185: consumption, no matter how perverte
Page 186 and 187: asic material satisfaction but for
Page 188 and 189: to be “committed.” The question
Page 190 and 191: “serious” literature as prescri
Page 192 and 193: 191 As a satire, American Psycho do
Page 194 and 195: Batailles, Georges. Le Bleu du ciel
Page 196 and 197: Fortier, Frances. “L’esthétiqu
Page 198 and 199: Johnson, Samuel. “From Lives of t
Page 202 and 203: Thoré. Théophile. “New Tendenci
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