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Untitled - Sexey's School Moodle

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males 25 . Such interrogations only underline the many cultural biases and the excesses of<br />

political correctness that are now prevalent in American culture amidst all the programs<br />

of social revision and reform. What is ironic, however, is that these critics and advocate<br />

groups succeeded in doing exactly the opposite of what they had set out to achieve. As in<br />

any contemporary case of boycott and censorship, the protests and scandal only<br />

contributed to creating more interest in the novel. Nevertheless the damage to the book’s<br />

status and respectability had been done, and while some may still perceive Ellis’ novel as<br />

indisputably vile and despicable, a worthless piece of sub-literary ‘junk’ (Murphet 69),<br />

others considered it to be a satirical, postmodern masterpiece.<br />

173<br />

For instance, Alberto Manguel contemptuously argues that American Psycho is<br />

not a novel of literary claims. His view is partly based on the fact that even if the text<br />

had been meant to be read as a social satire, Ellis’ minimalist prose style and the novel’s<br />

grotesqueness pre-empt the possibility of its being seriously considered as such. In<br />

addition, he aligns himself with other critics in arguing that what is alarming about<br />

American Psycho is that “Ellis’s prose does nothing except copy the model it is supposed<br />

to denounce” (101), though it could be argued that this is precisely the style of much<br />

postmodern pastiche. He also draws a parallel with Radcliffe’s distinction between<br />

Horror and Terror as explained in the previous chapter, and argues that the novel is one<br />

of “pornographic horror” (102), claiming that it literally made him feel sick (99). In<br />

other words, according to Manguel, American Psycho does not offer any form of<br />

distancing from its subject, a distance that would allow for a type of intellectual reflection<br />

25 For example, why has Nathan McCall’s Makes Me Wanna Holler: A Young Black Man in America, an<br />

autobiography which relates real, actual accounts of both racial and sexual violence, not been received with<br />

equal indignation as Ellis’ novel?

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