Untitled - Sexey's School Moodle
Untitled - Sexey's School Moodle
Untitled - Sexey's School Moodle
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males 25 . Such interrogations only underline the many cultural biases and the excesses of<br />
political correctness that are now prevalent in American culture amidst all the programs<br />
of social revision and reform. What is ironic, however, is that these critics and advocate<br />
groups succeeded in doing exactly the opposite of what they had set out to achieve. As in<br />
any contemporary case of boycott and censorship, the protests and scandal only<br />
contributed to creating more interest in the novel. Nevertheless the damage to the book’s<br />
status and respectability had been done, and while some may still perceive Ellis’ novel as<br />
indisputably vile and despicable, a worthless piece of sub-literary ‘junk’ (Murphet 69),<br />
others considered it to be a satirical, postmodern masterpiece.<br />
173<br />
For instance, Alberto Manguel contemptuously argues that American Psycho is<br />
not a novel of literary claims. His view is partly based on the fact that even if the text<br />
had been meant to be read as a social satire, Ellis’ minimalist prose style and the novel’s<br />
grotesqueness pre-empt the possibility of its being seriously considered as such. In<br />
addition, he aligns himself with other critics in arguing that what is alarming about<br />
American Psycho is that “Ellis’s prose does nothing except copy the model it is supposed<br />
to denounce” (101), though it could be argued that this is precisely the style of much<br />
postmodern pastiche. He also draws a parallel with Radcliffe’s distinction between<br />
Horror and Terror as explained in the previous chapter, and argues that the novel is one<br />
of “pornographic horror” (102), claiming that it literally made him feel sick (99). In<br />
other words, according to Manguel, American Psycho does not offer any form of<br />
distancing from its subject, a distance that would allow for a type of intellectual reflection<br />
25 For example, why has Nathan McCall’s Makes Me Wanna Holler: A Young Black Man in America, an<br />
autobiography which relates real, actual accounts of both racial and sexual violence, not been received with<br />
equal indignation as Ellis’ novel?