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Fortier, Frances. “L’esthétique hyperréaliste de Bret Easton Ellis.” Tangence 44 (1994) : 45-49. Foucault, Michel. Language, Counter-Memory, Practice : Selected Essays and Interviews trans. Donald F. Bouchard and Sherry Simon. Ed. and Intro. Donald F. Bouchard. Oxford: Blackwell Publishers, 1977. Freccero, Carla. “Historical Violence, Censorship, and the Serial Killer: The Case for American Psycho.” Diacritics 27.2 (1997): 44-58. Freud, Sigmund. Civilization and its Discontents. York, NY: Norton, 1961. -- -- --. An Infantile Neurosis and Other Works. London: Vintage, 2001. Vol. 17 of The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans James Strachey. 24 Vols. 217-256. -- -- --. “Totem and Taboo.” The Basic Writings of Sigmund Freud. Ed. A.A. Bill. New York, NY: Random House, 1938. Gamer, Michael. Romanticism and the Gothic: Genre, Reception, and Canon Formation. Cambridge: Cambridge University Press, 2000. Gardner, James. “A Review of American Psycho.” National Review 48.11 (June 17, 1996): 54-7. Gates, Henry Louis Jr. “Canon-Formation, Literary History, and the Afro-American Tradition.” Falling Into Theory: Conflicting Views on Reading. Ed. David H. Richter. Boston: Bedford Books of St. Martin's Press, 2000: 176-182. 195
Gautier, Théophile. “Preface to Mademoiselle de Maupin.” The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York, NY: Norton, 2001: 753-759. Gournay, Jean-François. “Érotisme, Sadisme et Perversion dans The Monk.” L'Erotisme en Angleterre XVIIe-XVIIIe siècles. Ed. Jean-François Gournay. Lille, France : Presses Universitaires de Lille, 1992 : 77-83. Greenblatt, Stephen. “Introduction to The Power of Forms.” The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York, NY: Norton, 2001: 2250-2254. -- -- --. Shakespearean Negotiations. Berkeley, CA: University of California Press, 1988. -- -- --. “Towards a Poetics of Culture.” The New Historicism. Ed. H. Aram Veeser. New York, NY: Routledge, 1989: 1-15. Guillory, John. “Canon”. Critical Terms for Literary Studies. Eds. Frank Lentricchia and Thomas McLaughlin. Chicago: University of Chicago Press, 1990. -- -- --. “Cultural Capital.” Falling Into Theory: Conflicting Views on Reading. Ed. David H. Richter. Boston: Bedford Books of St. Martin's Press, 2000: 218-224. -- -- --. Cultural Capital: The Problem of Literary Canon Formation. Chicago: University of Chicago Press, 1993. Helyer, Ruth. “Parodied to Death: The Postmodern Gothic of American Psycho.” Modern Fiction Studies 46.3 (2000) 725-746. 196
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ABSTRACT This thesis examines the r
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TABLE OF CONTENTS Acknowledgments 4
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INTRODUCTION If one looks at the mo
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…Achilles slit open his liver, th
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following centuries due to the chan
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favorably by its contemporaries on
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REVIEW OF SECONDARY SOURCES This in
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Whereas these historical accounts a
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a framework under which transgressi
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Chapter 1 CANON-FORMATION, TRANSGRE
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amongst so-called “minorities”
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elonged to—these works were at on
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that person “is driven over the g
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the third century. At Yavneh the sc
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especially at the dawn of the twent
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theater-goers (Stallybras et al. 84
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emergence of new genres in literatu
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have been produced to please the ma
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Literature remained a favored means
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poet lies in his powerful and beaut
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specifically, it rebelled against t
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according to Johnson, “discolored
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while at the same time, establishin
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There is no reason to assume that t
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isolated case in the reception of l
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During the period of revision of th
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Henry Louis Gates Jr. It is only by
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that remain canonical throughout th
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academia, and thus participate acti
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Chapter 2 SHOCK, SCANDAL, AND SUBVE
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As is the case with canonical disco
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Although in this excerpt Foucault
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eplaces language, where language be
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that one distinguishable characteri
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Enlightenment period. In the case o
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transgressive artworks and their re
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sport of them. Nevertheless, it mai
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a practice or belief, or a set ther
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epressed instinctual drives stored
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Within the perspective enunciated a
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and high culture as did the Marquis
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“interrogators,” those who subv
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(sometimes, of the state itself),
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taking action. In other words, by b
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consequently, loses its transgressi
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Chapter 3 WORLDS COLLIDE: CULTURAL
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sub-genre of literature that was co
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case of the late eighteenth century
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As a reaction to this “democratiz
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To a certain extent, the Gothic is
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101 To understand the controversy s
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historical value was intensively sc
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“dialogue,” rather a unilateral
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egarding cultural and political ide
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Watt argues that the latter conside
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and the name of its author was reve
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contextualization of their work and
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critical acclaim by following the p
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Radcliffe’s novels (245), a trans
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efficiency of the legal system. As
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controversy is finally dispelled, t
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123 The distinction between Radclif
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125 Even though The Monk was immens
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ejection of inherited dogma. This i
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that with regard to such material a
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they represented wanted to diffuse
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different generations of readers th
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elements—and its Preface, where t
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the unfavorable conditions under wh
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addition, following Michelle A. Mas
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suppress his passionate nature resu
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its tenure as a work of transgressi
Page 146 and 147: 145 In recent history, no book has
Page 148 and 149: 147 Bret Easton Ellis’ American P
Page 150 and 151: depend on the individual, on his or
Page 152 and 153: transgressions. Ironically, even th
Page 154 and 155: While this episode can be perceived
Page 156 and 157: which he/she participates as well.
Page 158 and 159: In American Psycho, Ellis makes sim
Page 160 and 161: are responsible for provoking the m
Page 162 and 163: 161 Even so, as outlined earlier, t
Page 164 and 165: ecome inescapably appealing. The st
Page 166 and 167: overwhelming, or, in more extreme c
Page 168 and 169: Although Murphet’s appraisal of t
Page 170 and 171: argued above, the latter produces q
Page 172 and 173: “civilized” man is indeed no st
Page 174 and 175: males 25 . Such interrogations only
Page 176 and 177: liberal capitalism, two trends that
Page 178 and 179: type of laughter that would lead ho
Page 180 and 181: outburst that characterized the rel
Page 182 and 183: she chooses to be atypical by censu
Page 184 and 185: consumption, no matter how perverte
Page 186 and 187: asic material satisfaction but for
Page 188 and 189: to be “committed.” The question
Page 190 and 191: “serious” literature as prescri
Page 192 and 193: 191 As a satire, American Psycho do
Page 194 and 195: Batailles, Georges. Le Bleu du ciel
Page 198 and 199: Johnson, Samuel. “From Lives of t
Page 200 and 201: Poe, Edgar Allan. “The Philosophy
Page 202 and 203: Thoré. Théophile. “New Tendenci
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