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volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

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As stated earlier, Roy possesses but two keys. His life is that<br />

simple. One key opens the door of the building he inhabits, the<br />

other key opens the door of the apartment he rents.<br />

His apartment: almost warm and mostly dry.<br />

From the bus stop he races through the downpour towards<br />

his building. In places along the sidewalk, pigeons band together<br />

in dark, feathery huddles. Their discussions range from Ibises<br />

to Ibsen. They turn as <strong>one</strong> at the slapslap of Roy’s approaching<br />

beat-up weatherproof boots and scurry out of his path, quickly<br />

reassembling after his passage to coo and prattle about human<br />

rudeness, an ongoing topic of avian discontent.<br />

Roy sprints up the steps to the covered stoop of his building.<br />

Although the simplicity of his life may be symbolized by a<br />

reduced number of keys, this in no way dismisses the fact that<br />

those two keys may just as readily be lost or stolen as a larger set<br />

decorated with an imported car’s fob.<br />

Roy pats his pants and raincoat pockets in search of his two<br />

keys.<br />

Rain pounds the evacuated, windswept streets of Georgetown.<br />

Even the coffee shop across from his building is closed. A ghastly<br />

dread floods his system. Just beyond this thick, wooden door lies<br />

warmth of a sort and a mattress stuffed with cash. He can’t have<br />

lost his keys—he can’t! He doesn’t want to sleep outside in the<br />

cold, outside in the rain, outside with brooding pigeons.<br />

He is relieved beyond words to discover that the beaded chain<br />

that serves to link his two keys together has come und<strong>one</strong> and<br />

that the keys have settled apart from <strong>one</strong> another in different<br />

regions of his pocket.<br />

His hands shake—as much from cold as from fear—as he<br />

jams the end of his outside door key into the lock’s metal sleeve<br />

and snicks the deadbolt open. With a deeply-felt gratitude, he<br />

pushes into the freshly-swept, dry vestibule.<br />

He is glad to be out of the wind, out of the rain, and away<br />

from pigeons.<br />

He shakes out his raincoat, sending a spray of water onto the<br />

faded, flocked walls. The tile floor is now freshly-marred with<br />

mud from his beat-up boots.<br />

Oblivious, he thumps up the broad, carpeted stair.<br />

10 ROY ROGERS <strong>IN</strong> <strong>THE</strong> 21ST CENTURY

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