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volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

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he can pop out the old tape and (a) flip it over, or (b) replace<br />

it entirely. If he chooses (a) the process is fairly simple and<br />

straightforward. However, sometimes before he can listen again<br />

he must rewind to the beginning. This can be frustrating and<br />

takes time and time is m<strong>one</strong>y, especially if his batteries are low,<br />

and they usually are. After all, batteries are expensive (why do<br />

they cost so much, anyway?), so every ounce of juice they have<br />

ought to be squeezed from them before they change career paths<br />

and become landfill. Perhaps it is a Northwest thing, but Roy<br />

always has a twinge of guilt whenever he releases the heavy<br />

little tubes, drops them into the trash. He’s not sure why, but he<br />

believes somehow their transformation into landfill is connected<br />

to the ever-expanding hole in our precious Oz<strong>one</strong> Layer.<br />

Or he could choose (b).<br />

As menti<strong>one</strong>d, (b) entails replacing the music tape entirely.<br />

Although this might seem fairly straightforward, it rarely is.<br />

And <strong>one</strong> of the reasons is that Roy always has difficulty deciding<br />

which tape to listen to next. And the reason he always has<br />

this difficulty is that he has heard every single <strong>one</strong> of his tapes<br />

innumerable times, so it’s hard for him to decide which <strong>one</strong> he<br />

wants to re-listen to again. And because of this fact—the fact<br />

of his having heard his tapes so many times before—they are<br />

seldom listened to all the way through and therefore require<br />

either rewinding or fast-forwarding once they are inserted into<br />

the Sony player.<br />

This is why there is so much complexity involved in what, on<br />

the surface—to the gruff, nettled passersby—should be a simple<br />

undertaking.<br />

In fact, it is his need for new music that has drawn him to the<br />

Wailing Wall this very day. This very chilly, drizzly, purplish<br />

November day.<br />

Roy, wearing gray, fingerless woolen gloves, succeeds in reinserting<br />

a tape and re-securing the Sony’s broken door. By<br />

holding the tape up to the concrete sky, and squinting through<br />

the little clear plastic window, he had been able to determine—to<br />

his delight—that it was not in need of rewinding. He presses<br />

PLAY and clips the Sony back where it belongs on his belt just<br />

ROY ROGERS <strong>IN</strong> <strong>THE</strong> 21ST CENTURY

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