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volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

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dread “—I told you to bring dessert. Dildo.” Rick shakes his<br />

head in despair. “See what I put up with? I knew you’d fuck it<br />

up, baldy.”<br />

Mel, distrubed from his tryptophan trance, slides his eyes to<br />

Roy. He delivers a smile meant to convey All is Forgiven.<br />

“I want dessert,” bleats Rick. “What’s fuckin’ Thanksgiving<br />

without fucking dessert?”<br />

When Pete raises a hand in objection, Rick twists his face into<br />

a snarl.<br />

That same hand of Pete’s that demonstrated its objection<br />

rummages about inside the fringed, spangled jacket. When said<br />

hand emerges, it holds a plastic-wrapped object. This plasticwrapped<br />

object, tossed, lands on the table before Rick.<br />

Rick’s snarl ebbs and flows into a gape of amazement.<br />

Before him rests a sizeable bag of pot.<br />

In a flash, he snatches it up and unpeels it.<br />

A pungent bouquet suffuses the room.<br />

Rick, salivating, utters his very most favorite word, while<br />

Jason, giggling girlishly, says,<br />

“Fuckin’ A.”<br />

Mel molds his features into a benignant smile.<br />

“You may come to Christmas dinner also, Pete.”<br />

Jason agrees.<br />

“Fuckin’ A.”<br />

Pete flips a box of EZ Widers onto the tablecloth.<br />

It is barely landed—is, in fact, still moving—when Rick seizes<br />

upon it and starts plucking out ricepaper sheets.<br />

Guttering candles flicker in the passing drafts of time.<br />

Mel inhales deeply, shakes himself awake, then stands and<br />

utters a single, two-syllable word.<br />

“Cognac.”<br />

Afflicted by the stiffness of age, he rises and crosses the room<br />

to a corner cabinet where he stands swaying a bit as he digs a<br />

keyring from his pocket. A small key enters into the cabinet’s<br />

ornamental lock and the dark, raised-panel door swings open<br />

to reveal an array of bottles. Selecting a rotund <strong>one</strong> from his<br />

collection, he re-locks the cabinet door and unstably returns to<br />

the table.<br />

ROY ROGERS <strong>IN</strong> <strong>THE</strong> 21ST CENTURY 0

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