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volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

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evaporated during the night, embraced by its brethren and<br />

sistern in the Great Hydrologic Cycle.<br />

He crosses to the scarred door that restrains the screeching,<br />

turbulent world and unlocks its deadbolt.<br />

He cracks the door ajar.<br />

That portion of the hall he is presented with appears to be<br />

chock-full of nothingness.<br />

He opens the door a bit wider so he can see all the way down<br />

to the B THRO M.<br />

It, like the hallway, overflows with vacuity. Emptiness. A<br />

total lack of all things human.<br />

Relieved he will have the little room entirely to himself, he<br />

steps into the hall.<br />

It is precisely at this juncture that his right toe encounters a<br />

small, plastic object.<br />

Said object, suddenly abristle with kinetic energy transferred<br />

there by the tap from Roy’s right toe, clatters noisily across the<br />

tatty carpet until it encounters the opposing wall and—as all<br />

irresistible forces met by immovable objects should—abruptly<br />

stops.<br />

The result of this abrupt stop is that the object under<br />

discussion disassembles, its parts no longer making up a whole,<br />

and scatter in several directions at once.<br />

The kinetic energy provided by Roy’s right toe soon enough<br />

sputters out, and the plastic objects come to a rest upon the<br />

hallway floor.<br />

The hallway that continues its slow unraveling.<br />

Roy frowns as he focuses on what appears to be an audio tape<br />

and its exploded case.<br />

So intent had he been on the fullness of his bladder, he had<br />

clean forgot about the lasagna trap he set the night before. In a<br />

flash of rewound memory, Roy recalls carrying home the foilwrapped<br />

treat in a plastic Safeway bag, then writing the note,<br />

then placing the bag and note against the bar of light at the<br />

bottom of 28/RR. His eyes scoot there now, leaving behind for a<br />

moment the plastic fragments.<br />

The bag is no longer there.<br />

112 ROY ROGERS <strong>IN</strong> <strong>THE</strong> 21ST CENTURY

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