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volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

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He squares his shoulders.<br />

He opens his door.<br />

In the hallway outside his room a brawny cutting horse, black<br />

and white, already saddled, tears at a bale of hay.<br />

The saddle is dazzling, made from hand-tooled black leather<br />

with Indiana silver tapaderos and hip drops, silver breast collar,<br />

martingale and corona pad, and a silver-encrusted cantle and<br />

horn.<br />

The silver-inlaid butt of his Winchester 94 sticks out of an<br />

intricately-tooled scabbard.<br />

The horse sees Roy and shakes her head as if to say Howdy,<br />

boss.<br />

Roy pats her muscular neck.<br />

He picks up the dangling reins and leads her along the hall,<br />

down the stairs and into the muddy street.<br />

As they amble along the sidewalk, Roy tips his hat at female<br />

passersby, and his horse nods courteously to all. At the corner<br />

they stand and wait for the bus.<br />

When it arrives, Roy leads his horse aboard. He starts to<br />

drop coins into the meter but the old, skinny bus driver waves<br />

him away.<br />

“I know who you are. You don’t have to pay—like them.” He<br />

stabs a thumb toward the rear of the bus. The riders are mostly<br />

glowering, unshaven, dirty and mean-looking. “It’s an honor to<br />

have you ride my bus, Ranger Roy.” The old, skinny bus driver<br />

leans closer and whispers, “—and even more of <strong>one</strong> to have you<br />

ride my you-know-what.”<br />

Roy’s eyes widen. He drops the reins and in a flash grabs a<br />

fistful of the old, skinny bus driver’s company blouse and hauls<br />

him aloft until his head smacks the bus’ ceiling.<br />

“The only reason you ain’t dead right now is I ain’t et<br />

breakfast yet, an’ I ain’t never kilt nobody—man, woman, nor<br />

even people like you—on an empty stomach.”<br />

He lowers the quailing driver back into his seat.<br />

“You even look at me in that there mirror, an’ I’m liable to<br />

plug you.”<br />

Roy drops a handful of coins into the meter.<br />

ROY ROGERS <strong>IN</strong> <strong>THE</strong> 21ST CENTURY 1

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