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volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

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He tries to focus on Pete’s gun hand.<br />

His shootin’ iron.<br />

Pete’s face relaxes. His breathing slows. His eyes narrow, and<br />

the furrows on his brow—like tire ruts in dried mud—smooth<br />

out a bit.<br />

Roy clears his throat.<br />

Ice cream phlegm.<br />

“Draw.”<br />

Almost before the word leaves his lips, the gun’s out of its<br />

holster.<br />

Its unwavering barrel is leveled dead at Ethan’s searching face.<br />

“Whoa.”<br />

Pete straightens and tosses back his shoulders. He slides the<br />

Colt into its holster.<br />

“Wish I coulda met Glenn Ford. They say he was th’ fastest<br />

draw in Hollywood.”<br />

Pete walks over to his big, comfortable wingback and<br />

plops into it, cranking his cowboy-boot-slippered feet onto the<br />

matching hassock.<br />

Roy assumes his place in the only other chair in the room.<br />

“He a cowboy?”<br />

Pete shrugs.<br />

“In some’ve his pitchers. He was in over a hundret.”<br />

“OK.”<br />

Before Roy met Pete, that would have seemed like a lot of<br />

pitchers to be in. But Pete has told him that John Wayne made<br />

over a hundret and forty; that Walter Brennan made over two<br />

hundret; and that the great Harry Carey made almost three<br />

hundret.<br />

And then there was Mel Blanc, who was in over seven hundret<br />

pitchers!<br />

Pete knows a lot about movies.<br />

And he knows a lot about guns, too.<br />

In fact, Roy would guess Pete knows a lot about everything.<br />

His place is packed with books and videotapes. It seems<br />

like all he ever does is read, or watch old black and white<br />

movies. Roy never had the m<strong>one</strong>y to go to movies, and never<br />

ROY ROGERS <strong>IN</strong> <strong>THE</strong> 21ST CENTURY 2

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