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volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

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stair are more likely to become friends that those living on<br />

different floors.<br />

Another word Roy doesn’t know that also relates to his<br />

current situation, is proxemics.<br />

Proxemics is a term introduced into the world back in 1963<br />

when Edward Hall was investigating people’s use of personal<br />

space.<br />

Being a scientist, and therefore fond of categorizing, Dr.<br />

Hall broke down the concept of personal space into four basic<br />

types. The first type he called intimate distance, for embracing or<br />

whispering (6 to 8 inches). The second type he named personal<br />

distance, for conversations among good friends (1.5 to 4 feet). The<br />

third type he referred to as social distance, for conversations among<br />

acquaintances (4 to 12 feet). And, finally, he distinguished a type<br />

of personal space he called public distance, that referred to public<br />

speaking (12 feet and over).<br />

If Roy knew any of this he would also know his choice of<br />

proxemic space with the guy behind the counter (based on the<br />

music’s <strong>volume</strong>) is limited to intimate distance.<br />

Despite his dislike of propinquity with his brother or of<br />

sharing proxemic space with strangers, Roy is feeling pretty<br />

good right now. It’s the music that’s responsible for this feeling<br />

of euphoria, the music on the tape he wants to know more about.<br />

His curiosity about the music is what has brought him to the<br />

Wailing Wall today. He needs to know the name of the group<br />

who created such wondrous, harmonious songs.<br />

He figures the guy behind the counter surely must know.<br />

After all, he’s probably an expert on all things musical, what<br />

with working in a music store, and all. Roy imagines he must<br />

have worked in lots of other music stores in his life before he<br />

limited himself to the crushing brainbeating tunes he specializes<br />

in now.<br />

Roy continues his approach to the counter. The guy behind<br />

the counter continues to flip and stack. The rising stacks of LPs<br />

continue to canter.<br />

Strangely, Roy is not nervous. He does not dread the<br />

forthcoming interaction <strong>one</strong> little bit. And the reason for this<br />

ROY ROGERS <strong>IN</strong> <strong>THE</strong> 21ST CENTURY 12

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