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volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

volume one IN THE D U D L E Y C L A R K - Ohio Vine Tours

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his shoulders. It seems like a couple hundred miles lie between<br />

them, instead of a couple dozen feet.<br />

The occupant of 28/RR speaks in a low, gravelly growl.<br />

“If you’re sellin’, I ain’t buyin’. If you’re a Bible-thumper,<br />

I’ll as like shoot you as not. I paid rent for th’ year, don’t owe<br />

nobody nothin’. Now how’s about you step away from my door<br />

while you still can, pardner?”<br />

Roy’s face fills with commotion.<br />

“I—uh. Uh. I—”<br />

He starts to shuffle backwards, in the general direction of his<br />

room.<br />

The beauty thing about not owning a bunch of crap—you can<br />

pack your bag and be in transit in roughly twenty seconds.<br />

And next time, if indeed there is a next time—and Life so far<br />

has taught Roy that there usually is, until of course your supply<br />

of next times runs out—next time, if indeed there is a next time,<br />

he promises not to talk with strangers, always to keep to himself,<br />

and never, ever hatch plans, no matter how cool they may seem.<br />

Beads of sweat glisten on his baldness.<br />

Outside, it’s still November. Inside, who knows?<br />

“I—uh. I was. I was just—uh.”<br />

After all, he still has Suzi Quattro. After all, he still has his<br />

health and all his old tunes.<br />

Maybe he doesn’t need to start listening to new shit, after all.<br />

It never occurs to Roy that he isn’t doing anything wrong, or<br />

that he’s the bigger and stronger of the pair, or that the old guy<br />

is barely dressed and can only use <strong>one</strong> arm without dropping<br />

his towel. Clearly, he fails to grasp his advantages. He has<br />

been conditi<strong>one</strong>d by years spent with an abusive brother to view<br />

himself as a helpless, hapless, harebrained twit.<br />

“I—uh. I was just. This—”<br />

A thought elbows its way onto Roy’s small, under-lit stage:<br />

maybe if I give the old guy his tape back, he’ll leave me al<strong>one</strong>.<br />

Roy directs his hands to meet at his waist.<br />

The wet, grizzled, towel-wrapped oldster sees them heading<br />

south and draws in a sharp breath—is he going for his gun?<br />

Does he have a hideaway in that little, black box?<br />

And him with boots off and gun hanging on the wall.<br />

ROY ROGERS <strong>IN</strong> <strong>THE</strong> 21ST CENTURY 1

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