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PROGRAMME AND ABSTRACTS - Università degli Studi di Messina

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109<br />

these dangers is a dead who, through his wrath and phobos, evokes a demon which menaces<br />

the guilty and everyone hampers his thirst for revenge. The other one is a murderer who is, at<br />

the same time, victim of the obsessive memory of the felt and caused terror and of the provoked<br />

violence. This murderer experiences the lussa and the oblivion of his own identity. He is<br />

threatened by someone else’s revenge lust and anger and is dominated by a miasma which can<br />

infect everyone who is close to him. As a consequence, the terrific power of alastor consists of<br />

the impossibility to forget and embo<strong>di</strong>es frightful dangers of the failed oblivion. These<br />

dangers, as well as the norms created to embank them, have a religious origin, but they also<br />

express social and political issues especially in the Archaic and Classical Age. The extreme<br />

deformation generated by the violence makes the norms mentioned essential instruments used<br />

by every culture to think and to preserve itself both collectively and in<strong>di</strong>vidually.<br />

Luther H. Martin, University of Vermont, USA<br />

The Mithraic Diaspora and the Continuity of Cult Identity, Second-Fourth Century A.D.<br />

Given the entropic nature of information in transmission, the <strong>di</strong>spersion of any social group<br />

raises the question of their trans-geographical and trans-generational identity. Especially given<br />

the dynamics of the dramatically increased commercial, political and social mobility and<br />

interchange during the early centuries of our era, we might question whether any widespread<br />

identity among cults claiming a common name had any historical basis beyond certain<br />

superficial features or whether such an identity is the imaginative construction of modern<br />

historians based on those ostensibly identifying features? A de<strong>di</strong>catory inscription for a<br />

mithraeum on the Greek island of Andros instantiates the spread Mithraic groups, even to<br />

remote and unlikey parts of the Empire, and provides an interesting case study for the question<br />

of cult identity. The Roman cult of Mithras was the most widely <strong>di</strong>stributed cult of the Roman<br />

imperial period and the most fulsomely documented. While this cult does exhibit migratory<br />

degradations, i.e., local and regional variations, it nevertheless transmitted its <strong>di</strong>stinctive<br />

identifying feature—the ubiquitous tauroctonous image—with a high degree of fidelity. Given<br />

the absence of even the idea of any centralized leadership or administration for Mithraism that<br />

might have controlled the integrity of the image, its faithful transmission seems to have relied<br />

upon the cognitive biases and enhanced memories of its initiates. In this paper, I will explore<br />

three cognitive theories for the stabilization and transmission of social information, the<br />

“cognitive attractor theory” of Dan Sperber, the “modes theory” of Harvey Whitehouse, and<br />

the theory of “self-normalizing memes” of Richard Dawkins. I will suggest that none of these<br />

theories alone are sufficient to account for an accurate transmission of the Mithraic tauroctony<br />

but that together they can provide a plausible basis for a historiographical account of its<br />

ubiquity.<br />

Xicoténcatl Martinez-Ruiz, Lancaster University, The United Kingdom<br />

Tue 15 th , 16.00, Classroom 14<br />

Entering the Heart (h•dayam): Outlining an ‘iterative schema’ in Abhinavagupta’s Vārttika<br />

This paper aims to provide a suggestion on this problem: How can Abhinavagupta contend for<br />

articulating in one single commentary (a circulated text, i.e. the Mālinī-vārttika or MVV) the

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