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other Italian speakers against the success of their compatriots (cf above pp. 264) and<br />

thus as an expression of class-consciousness, it can also be understood in terms of the<br />

comment made by Lurati and Bolla that 'il vestito tradizionale ha spesso riflesso per<br />

secoli i divieti e le norme, scritte e non scritte, che obligavano i ceti subalterni a non<br />

vestire con le fogge e i panni che erano riservati a quelli dominati' ^ and thus as a<br />

poshive affirmation of peasant identity. In contrast to the bright outfits which Loretta<br />

made for her children, she dressed herself sombrely: a black bonnet tied under her chin<br />

making her appear older than she was. Like many of the Italian-speaking women, her<br />

Ufe was dedicated to serving her family and she was happy in so far as their needs were<br />

met.<br />

According to a family descendant,'** the children's entertainments remained<br />

simple, Loretta always having to pay the butcher or baker before arranging outings or<br />

tickets to picture shows. (Technological advancements, such as cinematography, had,<br />

however, broadened the range of entertainments available to most people.) A visit to<br />

Wuth's Circus was a grand event, as was their first ride in a car. The Gaggionis<br />

maintained contact with their many friends in the Italian-speaking community: the<br />

Vaninas, wdth whom they often played bocce; the Tinettis at Shepherds Flat; the<br />

Tomasinis at Basalt, whom they often hiked through the forest to visit; the Pozzis and<br />

the Ferraris at Daylesford; the Prettis and the Bollas, who lived near the Old<br />

Racecourse Hotel in Hepbum; the Scheggias and the Righettis, These friendships were<br />

both a support in time of need and means by which the family (and other ItaUan<br />

speakers) could indulge their cultural traditions. While Mrs Tinetti of Hepbum taught<br />

Leila to crochet, Robert Righetti (son of Giuseppe) at one time employed John<br />

363

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