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Introductory - Global Sikh Studies

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273<br />

From the time of Guru Har Rai to that of Guru Gobind Singh,<br />

there was no overt military activity except that of maintaining some<br />

armed men. Before founding the Khala, Bhikhan Khan, an opponent<br />

of the tenth Guru, spoke contemptuously of his forces being composed<br />

of low-caste men. Almost all the participants whose, names are<br />

recorded in connection with the battle of Bhangani, were non-Jats.<br />

The first three well-known martyrs from amongst the <strong>Sikh</strong>s, during<br />

Guru Tegh Bahadur’s time, were Bhai Mati Das, Bhai Sati Das and<br />

Bhai Dyala, all non-Jats. Out of the five Beloved Ones (the Five<br />

Pyaras), only one was a Jat, and he too belonged to Hastinapur, outside<br />

the Punjab. According to Koer Singh, Guru Gobind Singh said:<br />

“Vaisayas, Sudras and Jats I have incorporated in the Panth.” Of the<br />

twentfive Muktas mentioned by Koer Singh, three were Bhatias, five<br />

Khatris, four Aroras, three Lubanas, and two water-carriers. The caste<br />

of the rest are not given. The forty men at Chamkaur included five<br />

Bhatias, four Aroras, some Khatris and Kalals (distillers), two Rengretas<br />

(sweeper caste), two Brahimins, Sanga Singh of the trans-Indus areas,<br />

sons of the Guru and the Guru himself. Those who took part in Banda’s<br />

Irvine writes: ‘The scavengers ad leather-dressers and such like persons<br />

who were very numerous among the <strong>Sikh</strong>s, committed excesses of<br />

every description.<br />

In the face of all this it would be unjustified to assert that the<br />

growth of militancy within the Panth resulted from the impact of the<br />

so-called Jat cultural patterns. Besides, it becomes very difficult to<br />

understand how these so-called Jat patterns were so powerful as to<br />

submerge all ideological considerations of the large majority of the<br />

influential participants in the Sangat. Whether or not the original Jat<br />

patterns of culture, or Jat traits, corresponded to the characteristic<br />

features of the <strong>Sikh</strong> movement will be seen hereafter.<br />

(e)<br />

The five K’s<br />

Another hypothesis advanced is that the Khalsa accepted the<br />

five symbols (the five K’s) under the influence of Jat cultural patterns.<br />

Unless the Jat cultural patterns are identified an correlated with the

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