Akai MPC-60 v2.0 Owners Manual.pdf - Fdiskc

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106 settings in the TUNE DRUMS screen and the EDIT A SOUND screen. The range is from -120 to +<strong>60</strong>, in increments of 1/10 of 1 semitone. 4. DUR (duration): This field shows the duration from the "note on" to the "note off", measured in clocks (1J384 notes). The range is 1 - 9999. 1>01-NOte> HIHT Ve1:064 Dcy:064 Dur: 931 This is a special case drum note event for the hihat. The difference is that the TUN field is replaced by the DCY field, indicating the decay time of the hihat. The range is from 0 to 127). There is no TUN field for the hihat. >O1-CONTRL>C1-MODULATION WHEEL Val: 64 This is a MIDI CONTROLLER event. There are 128 different controllers in midi, each one assigned to a different controller number. To the right of the selected controller is displayed the name of that controller, as assigned in the document "Midi 1.0 Detailed Specification, Document Revision 4.0". The VAL field contains the numeric value of the displayed controller event. >O1-Program Change> Val: 64 This is a PROGRAM CHANGE event. The single field is VAL, with a range of 0 - 127, used to select the program number. >O1-Channel Pres> Val: 64 This is a CHANNEL PRESSURE event. This is also called "after touch" and applies to all notes played on this channel. The only field is VAL (value), with a range of 0 - 127. >O1-Poly Pressure> Note:C.l Val: 64 This is a POLYPHONIC PRESSURE event. It is a continuous controller event which allows each note played on the keyboard to send its own key pressure information. There are very few keyboards which send this information. The fields are: NOTE (the note to which the pressure message applies) and VAL (the pressure value, from 0 to 127). >O1-Pitch Bend> Val: 23 This is the PITCH BEND event. The VAL field contains the actual numeric value of the pitch bend event. It is a signed field and the range is from -8192 to 8191. 1>O1-Mix Volume> Drum:TOM3 Val: 127 This is a MIX VOLUME event, and is used to change the stereo mixer volume setting of a particular drum in mid sequence. When the RECORD LIVE CHANGES feature is
Section 4:Editing sequences 107 used (described in section 6.9), many of these events are recorded into the active track to simulate a smooth and continuous mixer volume change. There are two fields: DRUM (which of the 32 drums this event applies to) and VAL (the new mixer setting, 0 - 127). 1>O1-Mix Pan> Drum:TOM4 Val: 127 This is a MIX PAN event, and is used to change the stereo mixer pan setting of a particular drum in mid-sequence. When the RECORD LIVE CHANGES feature is used (described in section 6.9), many of these events are recorded into the active track to simulate a smooth and continuous mixer pan change. There are two fields: DRUM (which of the 32 drums this event applies to) and VAL, the new mix pan setting, from 0 (fully left) to 127 (fully right). >O1-Echo Volume> Drum:PRC2 Val: 127 This is an ECHO VOLUME event, and is used to change the echo mixer volume setting of a particular drum in midsequence. When the RECORD LIVE CHANGES feature is used (described in section 6.9), many of these events are recorded into the active track to simulate a smooth and continuous echo mixer change. There are two fields: DRUM (which of the 32 drums this event applies to) and VAL (the new echo mix setting, 0 - 127). 1>01-SysEx> Size:999 Byte:999 Val: 127 This is a SYSTEM EXCLUSIVE event. It represents any system exclusive message. There are three fields: SIZE (the total number of data bytes), BYTE (the number of the byte whose contents are currently displayed in the Val field) and VAL (the current value of the byte number displayed in the BYTE field). The maximum size of a system exclusive event is 999 bytes. Of the five on-screen events, only the uppermost line may be edited, and is edited by moving the cursor to the desired field within the line and editing the field contents. This uppermost line is called the "active event" and is preceded by a ">". To edit an event, it must be moved up to the active event line using the CURSOR UP and CURSOR DOWN keys. This procedure is described below. To move to different locations within the sequence, use the "" keys to move backward or forward one step, and the “” keys to move backward or forward one bar, just as in the PLAY/RECORD screen. As with the PLAY/RECORD screen, the size of the step is determined by the NOTE VALUE field in the TIMING CORRECT screen. It is most commonly set to a 1/16 note. As you move through the sequence to each new step (usually one 1/16 note) by pressing the "" keys, any events at the new
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3 Software version 2.0 Operator's M
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5 • Avoid using spray type insect
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7 3.14 The recording metronome 3.15
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Section 1: Introduction
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Section l: Introduction 11 1.2 How
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14 2.1 Overview This section is a s
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16 Turning the MPC60 on 1. Of the d
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18 2.3 The CURSOR keys While the PL
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20 selections, but only one may be
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22 2.6 The HELP key Whenever this k
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24 2. "16 TUNINGS": If this option
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26 2.8 The DRUM MIX key - adjusting
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28 This indicates that the MPC60 is
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30 2.11 The MAIN SCREEN key- how to
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Section 3: Recording Sequences
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Section 3: Recording sequences 35 3
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Section 3: Recording sequences 37 T
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Section 3: Recording sequences 39 a
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Section 3: Recording sequences 41
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Section 3: Recording sequences 47 T
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Page 65 and 66: Section 3: Recording sequences 65 T
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Page 84 and 85: 84 4.1 Overview This section of the
Page 86 and 87: 86 These two screens allow a specif
Page 88 and 89: 88 4.3 The EDIT key The EDIT key en
Page 90 and 91: 90 onto the end). If set to TO BAR
Page 92 and 93: 92 The on-screen fields are: • Th
Page 94 and 95: 94 track. In this function, only th
Page 96 and 97: 96 NOTE 3: If the copied data is lo
Page 98 and 99: 98 • SOFT KEY 1- : Pressing this
Page 100 and 101: 100 This is a choice field with 2 o
Page 102 and 103: 102 LOCATE keys. As this value chan
Page 104 and 105: 104 4.4.2 Using STEP EDIT Using STE
Page 108 and 109: 108 current step will be played (ou
Page 110 and 111: 110 4.5 The EDIT LOOP key This func
Page 112 and 113: 112 4.6 The TRANSPOSE key This func
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Page 117 and 118: Section 5: Song mode 117 5.2 The So
Page 119 and 120: Section 5: Song mode 119 5.3 An exa
Page 121: Section 5: Song mode 121 Converting
Page 124 and 125: 124 6.1 Overview The MPC60 may hold
Page 126 and 127: 126 6.2 Sampling a new sound This f
Page 128 and 129: 128 • The METER field: This is a
Page 130 and 131: 130 more than you need, because you
Page 132 and 133: 132 always one higher than the last
Page 134 and 135: 134 • The ALSO PLAYS field: This
Page 136 and 137: 136 As the screen warns, pressing
Page 138 and 139: 138 • The FADEOUT(MSECS) field: T
Page 140 and 141: 140 2. MASTER: In addition to the s
Page 142 and 143: 142 6.6 Assigning the 8 assignable
Page 144 and 145: 144 • The MIDI OUTPUT field: This
Page 146 and 147: 146 Sending a Midi sample dump to a
Page 148 and 149: 148 6.8 Triggering a sound from an
Page 150 and 151: 150 3. MASTER: There is a single se
Page 152 and 153: 152 to 1; to control the decay from
Page 154 and 155: 154 7.1 Overview The MPC60 has a bu
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156 7.2 Saving a sequence This func
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158 7.4 Saving a drum sound This fu
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160 If you press SOFT KEY 1, , the
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162 (Step edit options screen) •
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164 To save a parameter file: 1. As
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166 • If an ALL file is selected
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168 As the screen warns, loading th
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170 7.8 Formatting a disk This func
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172 7.10 "Attention" messages encou
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Section 8: Syncing to tape and othe
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198 9.1 Overview The MIDI key provi
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200 While one of these event types
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202 • The DEFAULT CHAN field: Eac
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204 9.3 External drum triggering, t
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206 NOTE: Because "NONE" is the def
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208 of this field. If only one ME-3
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210 9. 5 The Midi implementation ch
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212 01000111 Akai ID (47H) 0000xxxx
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214 10.1 Features Here is a list of
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216 Sampler section: • 32 drums m
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218 218 • Assignable mix outputs:
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SECTION 11: INDEX
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Fadeout time (sounds), 6.2, 6.3 FAS
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Syncing to Midi Clock and Song Posi
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