Akai MPC-60 v2.0 Owners Manual.pdf - Fdiskc
Akai MPC-60 v2.0 Owners Manual.pdf - Fdiskc
Akai MPC-60 v2.0 Owners Manual.pdf - Fdiskc
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216<br />
Sampler section:<br />
• 32 drums may be held in memory at one time.<br />
• 16 velocity and pressure sensitive front panel drum pads.<br />
• Very high sound quality - 40 khz sampling rate for 18 khz frequency<br />
response on all drum sounds. 16 bit A/D and D/A converters are used and<br />
samples are compressed into exclusive non-linear 12 bit format, providing<br />
much lower noise than standard 12 bit linear systems.<br />
• Long sample time - maximum of 13.1 seconds of sampling time at full 18<br />
khz frequency response, expandable to 26.2 seconds at full frequency<br />
response.<br />
• 16 voice polyphony - a maximum of 16 drums may play<br />
simultaneously.<br />
• Repeated strikes of a drum play simultaneously; earlier strikes are not cut<br />
off.<br />
• "Pre-record" feature prevents attacks of sounds from being<br />
truncated during sampling.<br />
• Stereo mix is achieved graphically on the large LCD display, allowing<br />
programmed mix changes to automatically update the mixer settings<br />
without the need for motorized faders.<br />
• Built-in echo send and return - there is a separate 32 input mono<br />
programmable echo mixer and echo return inputs, to be used with an<br />
external digital reverb.<br />
• Stereo and echo mixers are automated: any changes made while<br />
recording will be automatically repeated on playback.<br />
• Each of the individual mix outputs may contain one or any mix of the 32<br />
drums.<br />
• Sounds may be reversed.<br />
• A "multi-pitch" mode is supported, allowing a single drum to be play<br />
(and recorded) at 16 chromatic pitches by playing the 16 pads.<br />
• Hihat decay control on front panel varies decay time of hihat while<br />
selecting between 3 different samples- one each for closed, medium and<br />
open hihat.<br />
• Envelope controls include a special drum-related "fadeout" parameter,<br />
which allows the sound to be automatically faded down starting at a<br />
pre-determined start point and ending exactly at its end, preventing<br />
samples from sounding "chopped off'.<br />
• Extensive dynamic controls: note velocity may be used to control sound<br />
start address, envelope attack, volume, and sound selection (velocity<br />
switch).<br />
• "Double play" feature allows 2 drum sounds to play when one<br />
occurs in a sequence.<br />
• Midi sample dump allows samples to transferred between<br />
samplers.<br />
• A special screen exists to remotely control the <strong>Akai</strong> ME-35T trigger<br />
to midi converter.