Akai MPC-60 v2.0 Owners Manual.pdf - Fdiskc

More documents

Recommendations

Info

142 6.6 Assigning the 8 assignable mix outputs There are 8 assignable mix outputs on the rear panel. Each may be assigned to output a single drum or any combination of the 32 drums. For those users who may at first consider eight individual outputs to be not enough for certain purposes, the following comments should help in getting the most usefulness from these outputs: • These are not individual voice outputs (the MPC60 is a 16 simultaneous voice sampler), but rather individual mix outputs -each can contain any combination of the 32 drums, regardless of the tuning settings of the drums. • One of the reasons for taking each drum into its own input on the console is to set a different echo send level for each drum. The MPC60's built-in echo mixer performs this task internally, and echo mixer changes can be set to occur automatically within a sequence. • If the echo mixer is not being used, it may be used as a ninth individual mix output. • Another reason for taking each drum into its own input on the console is to set a different EQ for each drum. Many will find that the 18 KHz bandwidth and low noise of the MPC60 will reduce the need for external EQ. To assign which drums are sent to each of the 8 individual mix outputs, press the SOUNDS key, then type 5 to select the ASSIGN MIX OUTS option, and the following screen will appear: To assign a drum to one of the outputs, move the cursor to the field of the desired drum and enter a number from 1 through 8 (to select output 1 through 8), or "0" if no assignment is desired for that drum. If the BANK 2 light is ON, the second bank of drums is displayed. NOTE: The assignments of these 8 outputs are saved to disk when any SET file is saved, and when any SET file is loaded from disk, the existing settings are replaced by the settings contained in the SET file. Also, the assignments of these 8 outputs have no effect on the stereo mix or echo mix.
Section 6: Sampling and editing sounds 143 6.7 Transferring sounds over midi: Midi Sample Dump The Midi Sample Dump standard is a format which manufacturers agree upon for transferring samples between sampling devices over midi. To use this feature, you must first connect the MPC60 to the external sampler using 2 midi cables ("closed loop" mode)- the MPC60 will not allow midi sample dump transfers using a single midi cable ("open loop" mode). To connect the MPC60 to the external sampler: 1. Connect one midi cable from one of the MPC60's MIDI OUT jacks to the external sampler's MIDI IN jack. It doesn't matter which one - you can select any one in the MIDI OUTPUT field described below. 2. Connect a second midi cable from the external sampler's MIDI OUT jack to the one of the MPC60's MIDI IN jacks (it doesn't matter which one - you can select either in one the MIDI INPUT field, described below). Receiving and sending Midi sample dumps are individually described in the following two sections. Receiving a Midi sample dump from an external sampler To receive a Midi sample dump, press the SOUNDS key, then type 6 to select the MIDI SAMPLE DUMP option, and the following screen will appear: This is the "Receive sample dump" screen. The screen fields and soft keys are described below: • The MIDI INPUT field: This is the Midi input jack number (1 or 2) through which the sound data will be received. Set this field to the number of the midi input jack you used to connect to the external sampler.
Page 3 and 4:
3 Software version 2.0 Operator's M
Page 5 and 6:
5 • Avoid using spray type insect
Page 7 and 8:
7 3.14 The recording metronome 3.15
Page 9 and 10:
Section 1: Introduction
Page 11:
Section l: Introduction 11 1.2 How
Page 14 and 15:
14 2.1 Overview This section is a s
Page 16 and 17:
16 Turning the MPC60 on 1. Of the d
Page 18 and 19:
18 2.3 The CURSOR keys While the PL
Page 20 and 21:
20 selections, but only one may be
Page 22 and 23:
22 2.6 The HELP key Whenever this k
Page 24 and 25:
24 2. "16 TUNINGS": If this option
Page 26 and 27:
26 2.8 The DRUM MIX key - adjusting
Page 28 and 29:
28 This indicates that the MPC60 is
Page 30 and 31:
30 2.11 The MAIN SCREEN key- how to
Page 33 and 34:
Section 3: Recording Sequences
Page 35 and 36:
Section 3: Recording sequences 35 3
Page 37 and 38:
Section 3: Recording sequences 37 T
Page 39 and 40:
Section 3: Recording sequences 39 a
Page 41 and 42:
Section 3: Recording sequences 41
Page 43 and 44:
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Section 3: Recording sequences 49 t
Page 51 and 52:
Section 3: Recording sequences 51 M
Page 53 and 54:
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
Section 3: Recording sequences 59 p
Page 61 and 62:
Page 63 and 64:
Section 3: Recording sequences 63
Page 65 and 66:
Page 67 and 68:
Section 3: Recording sequences 67 s
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Page 75 and 76:
Section 3: Recording sequences 75 f
Page 77 and 78:
Page 79 and 80:
Page 81:
Page 84 and 85:
84 4.1 Overview This section of the
Page 86 and 87:
86 These two screens allow a specif
Page 88 and 89:
88 4.3 The EDIT key The EDIT key en
Page 90 and 91:
90 onto the end). If set to TO BAR
Page 92 and 93: 92 The on-screen fields are: • Th
Page 94 and 95: 94 track. In this function, only th
Page 96 and 97: 96 NOTE 3: If the copied data is lo
Page 98 and 99: 98 • SOFT KEY 1- : Pressing this
Page 100 and 101: 100 This is a choice field with 2 o
Page 102 and 103: 102 LOCATE keys. As this value chan
Page 104 and 105: 104 4.4.2 Using STEP EDIT Using STE
Page 106 and 107: 106 settings in the TUNE DRUMS scre
Page 108 and 109: 108 current step will be played (ou
Page 110 and 111: 110 4.5 The EDIT LOOP key This func
Page 112 and 113: 112 4.6 The TRANSPOSE key This func
Page 115 and 116: Section 5: Song Mode
Page 117 and 118: Section 5: Song mode 117 5.2 The So
Page 119 and 120: Section 5: Song mode 119 5.3 An exa
Page 121: Section 5: Song mode 121 Converting
Page 124 and 125: 124 6.1 Overview The MPC60 may hold
Page 126 and 127: 126 6.2 Sampling a new sound This f
Page 128 and 129: 128 • The METER field: This is a
Page 130 and 131: 130 more than you need, because you
Page 132 and 133: 132 always one higher than the last
Page 134 and 135: 134 • The ALSO PLAYS field: This
Page 136 and 137: 136 As the screen warns, pressing
Page 138 and 139: 138 • The FADEOUT(MSECS) field: T
Page 140 and 141: 140 2. MASTER: In addition to the s
Page 144 and 145: 144 • The MIDI OUTPUT field: This
Page 146 and 147: 146 Sending a Midi sample dump to a
Page 148 and 149: 148 6.8 Triggering a sound from an
Page 150 and 151: 150 3. MASTER: There is a single se
Page 152 and 153: 152 to 1; to control the decay from
Page 154 and 155: 154 7.1 Overview The MPC60 has a bu
Page 156 and 157: 156 7.2 Saving a sequence This func
Page 158 and 159: 158 7.4 Saving a drum sound This fu
Page 160 and 161: 160 If you press SOFT KEY 1, , the
Page 162 and 163: 162 (Step edit options screen) •
Page 164 and 165: 164 To save a parameter file: 1. As
Page 166 and 167: 166 • If an ALL file is selected
Page 168 and 169: 168 As the screen warns, loading th
Page 170 and 171: 170 7.8 Formatting a disk This func
Page 172 and 173: 172 7.10 "Attention" messages encou
Page 175 and 176: Section 8: Syncing to tape and othe
Page 193 and 194:
Section 8: Syncing to tape and othe
Page 195:
Section 8: Syncing to tape and othe
Page 198 and 199:
198 9.1 Overview The MIDI key provi
Page 200 and 201:
200 While one of these event types
Page 202 and 203:
202 • The DEFAULT CHAN field: Eac
Page 204 and 205:
204 9.3 External drum triggering, t
Page 206 and 207:
206 NOTE: Because "NONE" is the def
Page 208 and 209:
208 of this field. If only one ME-3
Page 210 and 211:
210 9. 5 The Midi implementation ch
Page 212 and 213:
212 01000111 Akai ID (47H) 0000xxxx
Page 214 and 215:
214 10.1 Features Here is a list of
Page 216 and 217:
216 Sampler section: • 32 drums m
Page 218 and 219:
218 218 • Assignable mix outputs:
Page 221 and 222:
SECTION 11: INDEX
Page 223 and 224:
Fadeout time (sounds), 6.2, 6.3 FAS
Page 225:
Syncing to Midi Clock and Song Posi
show all

Akai MPC-60 v2.0 Owners Manual.pdf - Fdiskc

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?